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Some of My Favorite Plug-Ins

I am starting to sort through all the plug-ins that are out there and slowly figuring out what really works for my workflow. This is a really hard process since there are so many great plug-ins and some of them give very similar results. I have blogged on this many times showing how the same images look with the various plug-in effects.

I started working on this image – not one I was totally in love with, but the old Flagler Presbyterian Church is so beautiful to look at that I wanted to create that sensation in the image. I began by manipulating the file in Topaz Adjust 5 (see link to website in sidebar) and hit the “Get Lucky” button just for the heck of it – and this really cool illustrated look appeared that I was not sure what to do with it. (Hover over image to see the Topaz 5 illustrated image.) I decided it needed a new sky so I opened up OnOne’s Perfect Mask (see website link in sidebar) and added a sky I had placed below the image. This plug-in is the best one I have found for replacing skies quickly – check out the little holes in the trees where the sky peaks through. Next several different effects were tried but none made me go “Wow” — that is until I decided to go into the Topaz Black and White Effects plug-in (see link to website in sidebar). It took no time at all – in fact I started with the same settings from my “My Office Friend Ted” image which was a totally different type of image. A few things were adjusted but it still was not quite right. Back in Photoshop a Color Balance Adjustment Layer was added to bring out the blues in the sky a bit more to get the right look. Now it looks like I remember it – but it took some effort. Luckily, I had a plug-in that gave me a great start.

I guess I can honestly say I still love both Topaz Adjust and Black and White Effects – they do have that versatility to turn an okay image around. Definitely great plug-ins and reasonably priced too! And OnOne Perfect Mask is the best for skies – still figuring this plug-in out for other types of selections. I hope to have a page set up soon on which plug-ins have made it into my workflow……Digital Lady Syd

Digital Lady Syd Related Blogs:
Topaz Plug-Ins – Same Image Trying Each!
Same Image – Different Plug-In

Another Pseudo HDR from Me!

I love these photos I got from the London Eye a few years ago – they really look good with the pseudo-HDR look. Here I have applied my SJ-Vivid Drawing Look preset in Lightroom (for here for Adobe Camera Raw preset – note: change file extension to .xmp in zip folder to get file to work). I had to adjust the Exposure a bit after applying the preset. Then it was processed in Nik Color Efex Pro 4 using my SJ-Pseudo HDR1 recipe. NOTE: This download link is broken if you click the Download button, but by right clicking on the button and choosing “Save Link As,”  the file will download correctly.” Usually the Detail Extractor slider needs to be adjusted so the image is not overdone. Next it was taken into Viveza 2 to get rid of the muddy color water that is so common in the Thames River pictures. By setting control points in the water areas and adjusting the Hue and Brightness sliders, the color could be changed to more of a blue tone. There was distortion from the movement and the glass of The Eye so I added a layer set to Overlay blend mode and painted with a black brush at 10% opacity over these areas to get it evened out. (Click on the image to see the original – most of the distortion was in the lower front and on the train bridge in the middle.) Finally the Sharpen tool was used on a separate layer along with Curves Adjustment for contrast and Hue/Saturation Adjustment Layers to desaturate a little. Loved the final result. This is very similar to what you would get with the Lucis Arts filter. Overall, loved the results! …..Digital Lady Syd

Digital Lady Syd Related Blogs:
Pseudo HDR Using NIK Color Efex Pro 4
Another Pseudo HDR Image with NIK CEP4 – Got to Love the Effect!
Settings for Vivid Drawing Look ACR/Lightroom Preset and NIK Color Efex Pro 4 Pseudo HDR Recipe
Where Am I?

Combining Plug-ins for More Image Interest


Took this image of a red bloom from the hibiscus tree in my front yard – I love hibiscus flowers! A 60 mm Nikkor macro lens was used at F/6.7 for 1/60 sec. A Bower 0.5 x High Resolution Digital Lens with Macro was added to the lens. The camera raw shot was adjusted in Lightroom and brought into Photoshop. Some of the distracting background was cloned out, the image sharpened a bit, then Nik’s Color Efex Pro 4’s Darken/Lighten Center filter effect was applied. The image was taken into Nik’s Viveza 2 where the structure on the pistil and stamen was increased, and the background softened a little by setting the structure to -100. ShadowHouse Creations texture 5AT-2 was added and set to Soft Light at 62%. Next the new Topaz Star Effects plug-in was applied to the tips of the stigma to make it sparkle and a bit to the yellow anthers (see sidebar for Topaz’s website link). Finally OnOne PhotoFrame’s Taufer Texture 12 was applied to finish off the image (see sidebar for OnOne’s website link).

This is a good example of how several different effects can create more interest – it also helps to have a great color combination to work with too!…..Digital Lady Syd

Digital Lady Syd Related Blogs:
Trying Out Topaz Star Effects
Using NIK’s Color Efex 4 and Viveza Together

Five Image Template Creates Beautiful Collection!


I have not been following all my favorite websites like I should. There is one I had not visited in quite a long time so I checked in. The CoffeeShop Blog was offering this wonderful Web Storyboard 6 for 5 pictures as a free download so I thought I would give it a try. I was really pleased with the final result. Her template is very easy to use – just clip (highlight image and go to Layer -> Create Clipping Mask) the each image you bring into the Photoshop file she provides to the location you want. Use Free Transform to adjust the size to fit. The background color was changed by clicking on the Background Color layer thumbnail and choosing whatever color you want. On the Frames layer, a Gradient Overlay Layer Style was added and reversed using Muted Gradient Muted 5 from Graphix1 set with a Radial Style, angle set to 90 degrees, and Scale set to 149% to get the pretty reddish gold colors on the frames.

Both The CoffeeShop Blog and Graphix1 websites offer some of the best free resources for the Photoshop fanatic like me. Take a minute to check out their websites – both have great blogs too (just click on their Home buttons).

It is really fun to put a collection of your images together! Give it a try!….Digital Lady Syd

OnOne’s Perfect Mask Works Great!

This image is of the Flagler Presbyterian Church built in 1889 in St. Augustine, Florida, by Henry Flagler as a memorial for his daughter. Hover over image to see the original image that has been adjusted in Lightroom.

To process this image:

1. The power lines first had to be removed. This was done very quickly using the technique shown in my Tidbits Blog “Get Rid of Those Power Lines Fast – with Paths and Spot Healing Tool!”

2, Some of the tree leaves needed to be removed too so the Clone Tool was used for this.

3. Nik Viveza 2 was used to sharpen up the building and get the detail to pop – this plug-in is probably the best one for localizing on an image how you want certain areas to look. The Sharpen Tool in Photoshop could be use instead to bring out the detail.

4. Place a new sky under the top layer. (Highlight the layer under the top layer, go to File -> Place, and Enter. Then right click on thumbnail of sky and choose Rasterize to get rid of the smart object.)

5. In my Fun Photoshop “Using Cloud Images to Fix Up a Sky” blog last I talked about replacing skies and gave several examples how an interesting sky can really add interest to in image. This time I used OnOne Perfect Mask (see website link on sidebar) to see if I like the new sky look. This is first time I tried using the tool and it was quick and accurate. It took about three minutes to add the new sky into the image – it creates a layer mask so it can be adjusted later if not everything is picked up. It has several different types of brushes to select the various areas that need to be covered when you have tricky selections like trees. You just click once in the open area and it picks up all the clear areas, then choose a Refine Brush and paint over the trees and it picks up all the little color openings in the trees. Very quick! Even certain colors can be isolated for selection.

Try downloading OnOne’s Perfect Mask if you do a lot of selecting and see if you are as impressed as me. I plan on trying out some other kinds of selecting in the near future and post again. I also plan on releasing some of the skies I find useful for adding into images very soon. Until then, have fun experimenting!…..Digital Lady Syd

Problems for Big Ben

It is funny that I had just completed this image of Big Ben a few days ago and then it comes out that is has some tilting issues, 0.26 degrees NW or 18 inches off center at the top of the 314-foot tower.  It will be thousands of years before Britain’s iconic landmark that houses the clock gets as bad as the Leaning Tower of Pisa in Italy. The rumor is Members of Parliament are meeting to discuss what to do including these two options: 1) Do costly repairs to both the Parliament Building and Big Ben, or 2) sell the entire complex to a rich foreign developer.  Hum!  For more information on this, check out The National Post article.

I tried to find an old famous painting of Big Ben but could not find one – can’t believe no one painted this gorgeous landmark in the 1800’s so my search is still on. In the meantime, I did find a site selling some very interesting Big Ben posters at Art.Com that I found very inspirational – give it a look to see some of the creative work others are doing (and for profit!).

How I processed this image? Believe it or not, this is just another pseudo HDR processed just like I do all my pseudo HDR’s. Used my SJ-Vivid Drawing Look preset in Lightroom 3 (download here if using Adobe Camera Raw) (note: change file extension to .xmp in zip folder to get file to work) and adjusted the Exposure, Blacks, Red Saturation (-45), Blue Saturation (+61), and Green Luminance (+3) sliders to make the image colors pop correctly. In fact the red bus was overpowering the image so the red saturation had to be reduced quite a bit. (Hover over image to see how it looked coming out of Lightroom.) I must say there was an amazing sky that day! Some clean up in Photoshop was done and the image was taken into Nik Color Efex Pro 4. All I did was add the SJ Pseudo HDR1 recipe (NOTE: This download link is broken if you click the Download button, but by right clicking on the button and choosing “Save Link As,”  the file will download correctly.”) – I had to tone down the Detail Extractor and Contrast a little and change the Effect Radius to Large to get rid of the over-exaggerated HDR look. In Nik’s Viveza 2 I added a point on the clockface to make it really sharp but this could easily have been done with the Sharpen Tool in Photoshop. The last step was to add a Curves Adjustment Layer to brighten the whole image just a little. I was surprised how much detail came in from only applying the Lightroom preset without the Photoshop plug-ins. You could actually see the people riding inside the bus! It’s great when it all comes together with the light and composition to create a great shot!…..Digital Lady Syd

Digital Lady Syd Related Blogs:
Pseudo HDR Using NIK Color Efex Pro 4
Another Pseudo HDR Image with NIK CEP4 – Got to Love the Effect!
Where Am I?

My Office Friend Ted


This bear now sits in my office but I was never sure why I got him. Last week there was an interesting post by Ian Summers called “3 Exercises to Keep Creative Imagery Flowing” which gave me an insight to this conundrum. One of his generic creative exercises is called “Create a Giant Love Nest,” an environment that involves surrounding your work/creative area with many of the things you liked as a kid to help feed your creativity. I guess that is how Ted arrived – I found him at a bargain price in Cracker Barrel and had to have him. I am not even sure I had a Teddy Bear as a child but I liked his happy look (he never complains) and he is very soft and big (31 1/2″ tall). What’s not to like? So in honor of using childhood (and adult) toys and collectibles as a way to increase your creativity (and a good excuse to keep some of those things you just can’t part with), I am presenting my office friend “Ted.”…..Digital Lady Syd

PS. Ted was processed in Lightroom Beta 4 (see my Tidbits Blog “Trying Out Lightroom Beta 4“) and Photoshop using Topaz Black and White Effect (see my Fun Photoshop Blog “Topaz B&W Effects Plug-In-A Real Winner” and click on sidebar for website link). I started with the Opalotype Collection Flavescent preset and  essentially adapted it by cranking up the transparency to 100, and adjusting the strength and placement of the vignette. A little localized face detail and burning on his mouth was added. That’s all.

Photoshop CS5 and Elements: Hand-Tinting the Easy Way

The above purple orchard was on the table at the Ming Court Restaurant in Orlando, Florida (one of our favorite restaurant in Orlando). I was not really happy with the original image (hover over image to see) – the flowers came out a little soft to my liking. I was pleased to see this hand-painting technique saved a beautiful flower image and gave it a soft painterly feel.

The steps to create this look are easy and could probably be put in an action. The process was taken from an article in Mastering Digital Photo Processing Magazine from the Fall 2008 issue. Here are the basic steps to creating this image:

1. Do any exposure adjusting in Lightroom or Adobe Camera Raw.

2. In Photoshop, create two copies of the original layer and turn off the top layer.

3. On middle layer convert image to black and white – I used the Black and White Adjustment Layer to get a nice conversion. There are so many ways to do this – choose your favorite. For Elements users, go to Enhance -> Convert to Black and White and select one of the canned styles as a starting point – then adjust the sliders, especially the contrast slider.

4. Turn on the top layer and add a Gaussian Blur filter with a Radius set to 18. Change blend mode to Overlay (or try others if you do not like the effect) and lower the opacity to get the pleasing hand-painted look. The opacity for the above was 61%.

Optional Step – Can add a Photo Filter Adjustment Layer. Choose a color using the Color swatch and adjust the Density slider. The magazine suggested this can “increase the sense of oils being applied over a black-and-white print.” I did not do this here, but it did give an interesting look with the default Warming Filter (85) color.

5. At this point a New Layer was created and the Sharpen Tool was used to show definition more clearly between the flower petals.

6. A Curves Adjustment Layer was added for contrast. Elements users add Levels Adjustment Layer.

7. To add a border or layer style, create a Composite Layer on top (CTRL+ALT+SHIFT+E). OnOne’s PhotoFrame Taufer_Texture_10 was added to give the frosted window effect – one of my favorite looks. (See sidebar for OnOne’s website link.)

That’s it! A pretty easy workflow and it gives a beautiful soft look. Hope you enjoy trying this short and sweet workflow – until next time…..Digital Lady Syd

Using the Hue/Saturation Adjustment Layer Temperature Slider for Color Change

I tend to shoot HDR when I am at home photographing my flowers. I like having the different exposure options to choose from even if I do not create an HDR image. In this case an AF Micro Nikkor 60 mm lens at F/3.2, 180 sec, ISO 200 with a Bower 0.5 x High Resolution Digital Lens with Macro was used to shoot 5 exposures set to exposure compensations of -2, -1, 0, +1, +2. These five images were processed in CS5 using Photoshop’s Merge to HDR program – click on the image to see the original Photoshop HDR composite. (Here are the HDR settings used: Radius 350, Strength 1.86, Gamma 2.03, Exposure -0.45, Details 228, Shadow 100, Highlight -86, Vibrance 75, and Saturation -26 – a curve was created with points at Input 25 Output 43 and Input 58 and Output 65. I saved this down as a preset to use again.)

To get a little different look, I decided to use the red-green dynamic color combination. A Hue/Saturation Adjustment Layer was used to change the Reds to Hue +32, Saturation +33 and Lightness -7. To get the center green, while still in the Reds, I moved the temperature tabs on the slider at the bottom of the adjustment layer – see settings below. The center color totally popped! In Magentas the Saturation was set to +14. That was all it took change the colors to something really dynamic!

The final steps involved adding a few control points in Nik’s Viveza 2 for contrast and detail and a Sharpen Tool layer to emphasize the center. OnOne PhotoFrame Taufer Texture 07 was applied (see sidebar for website link). The background was changed to a darkish green to give more color contrast.

Once again, by just playing around in Photoshop and trying a few filters and different colors, you can make an ordinary image into something quite spectacular. Go try out the Hue/Saturation Adjustment Layer temperature slider too – it gives some very interesting results…..Digital Lady Syd

Farewell to Helen Frankenthaler

Helen Frankenthaler died December 27th, 2011 at age 83 in Connecticut. The above painting titled “Mountains and Sea” is considered her most famous piece painted in 1952, oil and charcoal on canvas. 86 5/8 x 117 1/4 in. (220 x 297.8 cm). It is on extended loan to the National Gallery of Art, Washington, D.C. The Daytona Beach News-Journal stated she was “an abstract painter known for her bold, lyrical use of color who led a postwar art movement that would later be termed Color Field Painting…”  The National Gallery of Art has another beautiful example of her art titled “Nature Abhors a Vacuum” from 1973. The New York Times has a nice image and write up about this wonderful painter. She will be missed in the painter community……Digital Lady Syd