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I Didn’t Know That! Converting Lightroom Preset to Adobe Camera Raw Preset

I occasionally come across a need to take a Lightroom preset and use it as a preset in Adobe Camera Raw. This is not as complicated as it seems. Below are the steps required to accomplish this task.

1. Apply the preset in Lightroom and make sure you know which panels and sliders you used. (If preset not already created, to save preset in Lightroom, on left side of Presets line, click (+) for “Create New Preset.” Name preset.)

2. Right click on image in Lightroom and select Edit in -> Open as Smart Object in Photoshop. The image is opened in Photoshop with the Smart Object icon on bottom right of thumbnail in Layers Panel.

3. Double click on thumbnail and it opens up into Adobe Camera Raw.  Go to Presets panel (9th icon over on righthand side under the histogram) and the click folder icon at the bottom of the panel to open the New Preset dialog. Name and click the items you want included in the preset, then click OK. Your new preset shows up in the Presets panel.

You can now use your Lightroom preset anytime you want in Adobe Camera Raw also. I usually start my personal preset names off with an SJ so I know they are mine. It is easy to get presets from many different sources as time goes on so it helps to know which are yours.

The image above is of a miniature mum in my yard. Hover over the image to see how the image looked with just a Lightroom preset I created called Dark Vignette – it makes the background very dark behind the flower.  For information on how to create this preset and how the image was finished, see bottom of blog for details.

Hope this helped you get a little more organized…..Digital Lady Syd

To create this preset, changes were made to: the Tone Curve set to Highlights -24, Lights +41, Darks -56, and Shadows -54; HSL – Luminance sliders set to Red -41, Orange -9, Purple -2, Magenta -50 and all others 0, and Saturation sliders set to Red -2, Purple +32, Magenta +59 and all others set to 0; Effects Post-Crop Vignetting Style set to Highlight Priority with Amount -61, Midpoint 33 Feather 0 and others set to 0. To finish, image was sharpened and OnOne PhotoFrames (see sidebar for website link) acid burn controlled 15 was added and reduced in size in the plug in, and then grunge 12 was added on top – in Photoshop petals were painted over frame edge using a layer mask on first acid burn frame.

Digital Lady Syd Related Blogs:
Colorful Blown Out Look Lightroom and Adobe Camera Raw Preset
Settings for Vivid Drawing Look ACR/Lightroom Preset and NIK Color Efex Pro 4 Pseudo HDR Recipe

Orchids with Russell Brown’s Paper Textures Panel


This was so easy and turned out so pretty. Need to darken the background of your image to get this effect. The the Flypaper Texture Creme Anglaise was added to give the painted look (in group of textures provided with Russell Brown’s Paper Texture Panel – see blog links below to download). A Hue/Saturation Adjustment Layer was added to darken the texture a bit more with Master set to Hue -146, Saturation -59, and Lightness -14. The flowers were painted out in the layer mask so they would not be affected by the color change, but it still did not have enough purple tone. Therefore a Color Fill Adjustment Layer was added with the color set to a deep blue (R101G33B227) set to 37% opacity. The flowers were once again painted out on the adjustment layer mask. The last step was OnOne PhotoFrame airbrush_06 (see sidebar for website link) and the color was sampled from the image to finish up. Very quick and easy effect…..Digital Lady Syd

Digital Lady Syd Related Blog:
Russell Brown’s Paper Texture Panel – A Real Winner!
Russell Brown’s Paper Texture Panel Updated!
Russell Brown Texture Panel Landscape Image

Whale Watching with Nik’s Color Efex Pro 4 & Viveza 2


One of the many photos of a great whale watching trip on the Big Island in Hawaii. (See Hawaii Ocean Sports for information on whale watching boat trip.) This image used one of the workflows I like to use for quick processing of my images. The RAW file was adjusted in Lightroom where the Highlights, Shadows, Whites and Blacks sliders were moved. Next the Exposure and Contrast sliders were adjusted, and finally it was straightened and cropped. The image was brought into Photoshop and opened in Nik’s Color Efex Pro where five filters were added in this stack order: B&W Conversion (Dynamic Contrast), Photo Stylizer (Cool Silver – Style 1), Low Key, Darken/Lighten Center, and Detail Extractor applied just to background area with Control Points. Not sure how I came up with this combination, but I really liked the final result. Nik’s Viveza 2 was used to sharpen up the whale and water blowing up behind him. OnOne PhotoFrame acid controlled 12 (see sidebar for website link) was added using a matching color from image. That was it!

The combination of Color Efex Pro and Viveza is a pretty powerful combination. I do not process any image now without at least going into Viveza – it is a fabulous finishing plug-in…..Digital Lady Syd

Digital Lady Syd Related Blogs:
Nik’s Viveza 2 Plug-In – A Hidden Gem!
Detail Pop Using Nik Color Efex Pro and Viveza
Using NIK’s Color Efex Pro 4 and Viveza Together

Nik Color Efex Pro 4 Just Does It Right!


Loved the beautiful old puppets on display in one of the walkways at the Hilton Waikoloa Village on the Big Island in Hawaii. It seemed like a perfect time to once again add the Nik Color Efex Pro 4’s new Film Efex – Vintage filter. The Colorize Filter, Midnight Filter, and Image Border were then stacked on top. Finally a little Nik Viveza 2 to sharpen the elephant a bit and that was it! Love the results!…..Digital Lady Syd

Digital Lady Syd Related Blogs:
The New Film Efex-Vintage Filter From NIK CEP 4
Beautiful Daisies with Film Efex: Vintage in Nik Color Efex Pro 4
Unsharp Mask Filter In LAB Mode

(Here are my settings for the filters:  Film Efex-Vintage – Saturation 10%, Warmth 79, Vignette 63, Brightness -2, Grains per pixel 500, Film Strength 80%, and Film Type 13; Colorize – Method 6, Color R143G209B219, Strength 5%; Midnight – Color Set Neutral, Blur 0, Contrast 30, Brightness 60, Color 57, Shadows 20, and Overall 78%; and Image Border – Type 3, Size 60%, and Spread 98%.)

Another Soft Hawaiian Landscape


Image was taken at Lapakahi Historical State Park of one of the homes the early Hawaiians lived in roughly 600 years ago on the western side of the Big Island.

For this image, the steps used were from my my blog Using Color Efex Pro and Texture for a Warm Hawaiian Landscape Effect for the second image. Same Lightroom preset, same textures (using Russell Brown’s Texture Panel (see my blog Russell Brown’s Paper Texture Panel Updated!), and same adjustment layers. Image was sharpened and a New Layer was added on top where a paint brush set to yellow at 20% opacity was used to paint in the blown out highlights on the roof of the house. (See my blog Getting Rid of Those Blown Out Areas in Your Image on how to do this.) A different OnOne PhotoFrame was added – Taufer_Texture_12. (See sidebar for website link.)

Not very realistic but definitely has that Hawaiian feel and that is okay!…..Digital Lady Syd

Beautiful Soft Flowers



Just loved the pink hyacinths I bought – hope they will come back next year! This image was taken with my Micro Nikkor 60 mm f/2.8 lens at f/9.5. Used Mike Moats workflow (see info on this in related blogs below) with Color Efex Pro 4 (stacking Tonal Contrast, Darken/Lighten Center, and Vignette filters) added first and then Viveza 2 to make the details sharp. OnOne PhotoFrame napp_frame_12 (see website link in sidebar) was added. Final result – beautiful!…..Digital Lady Syd

Digital Lady Syd Related Blogs:
Using NIK’s Color Efex Pro 4 and Viveza Together
Nik’s Viveza 2 Plug-In – A Hidden Gem!
The Macro Shot

Cleaning Up a Messed Up Photo

Here is another before and after for you. The image of the KPC Seafood Restaurant at the Hilton Waikoloa Village on the Big Island in Hawaii. At night it was wonderful to eat outside under the dark starlit sky with the ocean waves in the background. I wanted to add this image to a Hawaiian slideshow I am creating in Lightroom 4 and was really disappointed at how bad the original image appeared. I liked the tone in the wood and the sky was rally nice but otherwise, it was not too good an image. I tried several techniques, walked away from it for a day, and came back to it. I finally got the nice result shown above (hover over image to see the original). To get this result, I removed the palm tree going straight up to nowhere. Next I went into Nik’s Viveza 2 to get rid of the hazy feeling. I usually use this filter later in my workflow, but this image needed a quick tune-up before I could do anything else. Then I went into Topaz’s Black and White Effects (see sidebar for website link) and by playing with the Quad Tones, got this really nice result. (For settings, see below.) A Curves Adjustment Layer was added to enhance the contrast of the building, but the blue in the sky was painted black in the mask to keep it from being affected by the curve change – the blue of the sky competed too much with the blue tones in the restaurant. Noise was removed from the whole image (see Russell Brown ACR blog below to do this). Localized sharpening was done and Puppet Warp was used to straighten the vertical lines of the restaurant. I feel like I was able to save an otherwise very bad image by using these two plug-in filters, and I might add two of my very favorites.  For information on how to do some of my workflow steps, see my blog links below. …..Digital Lady Syd

Digital Lady Syd Related Blogs:
Nik’s Viveza 2 Plug-In – A Hidden Gem!
Quad Tones in Topaz Black and White Effects Plug-in
I Didn’t Know That! Curves Adjustment Layers
Edit Layers with ACR (Adobe Camera Raw) Script
Straightening with Puppet Warp!

A preset was created in Topaz Black and White Effects using these settings as shown on the final version of image above:  Conversion: Basic Exposure settings – Contrast 0.08, Brightness 0.05, Boost Blacks 0, and Boost Whites 0; Adaptive Exposure settings – Adaptive Exposure 0.56, Regions 7.06, Protect Highlights 0, Protect Shadows 0, Detail 2.17, and Detail Boost 1.04; and Color Sensitivity settings – Red (-0.15), Yellow (0.38), Green (-0.42), Cyan (0), Blue (-0.09), and Magenta (0).  Finishing Touches: Silver and Paper Tone settings – Tonal Strength 0.63, Balance 0, Silver 32.00, Silver Tone Strength 0.50, Paper Tone 32.00, and Paper Tone Strength 0; Quad Tone settings: Color 1 Region (Color R0G0B0), 24.68, Color 2 Region (Color R86G102B136) 69.92, Color 3 Region (Color R229G223B164) 154.9, and Color 4 Region (Color R255G252B206) 255.0; Vignette settings – Center (2796,1607), Vignette Strength (-0.09), Vignette Size 0.53, Vignette Transition (0.63), and Vignette Curvature 0.75; and Transparency settings – Overall Transparency 0.59)

Humorous Shots Are Sometimes the Best



This image is one I found in my video I took while watching the dolphin program at the Dolphin Learning Center, one of the activities offered at the Hilton Waikoloa Village on the Big Island in Hawaii. When I processed this image, it seemed no one was paying any attention to the dolphin that is flying out of the water. Really struck me as a very funny shot! Anyway, thought I would share it.

The image was processed using two Virtual Copies of the image in Lightroom, one enhancing the water and dolphin and the other the people and pool. I selected the two Virtual Copies, right clicked and chose Edit In -> Open as Layers In Photoshop. This stacked the two Virtual Copies as layers in Photoshop. The one version layer created for the dolphin was masked out using a black layer mask. Then with a very low opacity white brush, the areas I liked from that version were painted back in on the black layer mask to give a little more contrast to the image. Really liked the result. This is a great way to pull detail out of a single image…..Digital Lady Syd

Creating a JPG From a Video in Lightroom 4


This whale came to visit the catamaran while I was whale watching (through Hawaii Ocean Sports) – I guess this is unheard of that a whale would come so close to the boat and hang out for 5 minutes like this guy did. Everybody on the boat including the boat personnel were going crazy as the whale would swim under the boat to the opposite side and then swim back under to the other side. He was so close you could almost touch him! He came up at the back of the boat and then turned around and raised his tail at the boat as he left. What a trip! Using my Sony Handycam HDR-XR500V video camera, I was able to get some nice video of the whale although it was hard to be at the right place at the right time with so many people around. What is really nice is that now Lightroom 4 has a limited video editing function. You can actually scrub through your video and select a frame that can be saved as a JPEG (click to open the square to the right of the video timeline and select Capture Frame) which can then be edited in both Lightroom and Photoshop. That is how I got this image.

The Exposure, Highlights, Shadows, and Blacks sliders all had to be reduced and the Contrast was increased to get a good image of his face. In Photoshop Topaz Adjust was opened using the Film Collection Effect Vintage Grunge IV preset. The Detail Strength was lessened a bit, the Warmth slider moved warmer a little, Grain and Vignette turned off, and Transparency slider set to o.25. Back in Photoshop a Hue Saturation Adjustment Layer was added to slightly desaturate and change the Hue in the Red tones on the whale. A Curves Adjustment Layer was added to improve contrast. Not bad for a fairly low resolution image. If you like Lightroom and have some video clips, you should take a look and see if you can use some of the frames you captured to add to your photo collection…..Digital Lady Syd

Nik HDR Efex Pro Example


The above image was taken at the Hilton Waikoloa Village on the Big Island in Hawaii. They have a lot of unusual sculptures located throughout the whole resort and this one is full sized. I used Katrin Eisman’s workflow to process this image without using Silver Efex Pro (see my blog HDR Using Photoshop Merge to HDR and Nik HDR Efex Pro and Silver Efex Pro? Wow!). This image used five images stacked in Merge to HDR in Photoshop. Then it was taken into Nik HDR Efex Pro and the Grannys Attic preset was used that gives a more cross processed vintage look. Viveza 2 was applied, then clean up and selective sharpening was done. I am starting to like this workflow a lot!

If you are interested in using HDR programs, check out RC Concepcion’s book called “The HDR Book: Unlocking the Pros’ Hottest Post-Processing Techniques” that covers them all and shows you how to get a similar look from each. I have found it to be the most helpful of all the books out there when it comes to understanding what each slider is doing – and he gives you some presets that are pretty nice too!

Digital Lady Syd Related Blogs:
Palace Tower Art at Hilton Waikoloa Village
Different Images – Same Look Using HDR!
Where Am I?