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Hibiscus Flowers – I Love to Photograph Them!


These beautiful Red Chinese Hibiscus blooms appeared on Mothers Day last week so I had to take their picture! Used my favorite artistic plug-in – Topaz Black and White Effects (see sidebar for website link) – and applied a preset I had created earlier called Water Landscape Sunny (Adaptive Exposure section – Adaptive Exposure 0.18, Region as 26.10, Detail 1.11, and Detail Boost 1.09; Quad Tones which creates the interesting effect used Color 1 Region set to R1G1B12 and 9.60, Color 2 Region set to R63G78B85 and 95.97, Color 3 Region set to R216G211B129 at 141.2, and Color 4 Region set to R255G254B237 and 255.0; Edge Exposure set to Edge Size 0.19, Edge Exposure -0.43, and Edge Transition 0.27 for all sides; and Transparency set to 1.00.) While in the plug-in, the Detail brush was used to sharpen the center of the flowers and to go around the petal edges where they overlap each other. Next ShadowHouse Creations Marshmellow Skies texture set to Overlay at 100% opacity was added to give the soft green-turquoise feel to the background – a white layer mask and a soft black brush was used to take the texture effect off the flowers.  A Curves Adjustment Layer was added and OnOne PhotoFrame (see sidebar for website link) grunge 04 set to 75% opacity was also added. Not hard and once again a really beautiful effect. I love Black and White Effects! I could do this all day! As you can see by the number of related blogs below, this is definitely one of my favorite plug-ins – check them out for several other examples on how to use it!…..Digital Lady Syd

Digital Lady Syd Related Blogs:
Black and White Effects on Outside Art
Cleaning Up a Messed Up Photo
Topaz Black and White Effects Quad Tones Are Great!
Sunny Preset for Topaz Black and White Effects
My Office Friend Ted
Loving Both Filters!
The Art Corner: Painting and Sculpture by Tassaert
Quad Tones in Topaz Black and White Effects Plug-in
Get Rid of Those Power Lines Fast – with Paths and Spot Healing Tool!
Topaz B&W Effects vs. Nik’s Silver Efex Pro
Just Another Topaz Black and White Effect Example
Topaz B&W Effects Plug-In-A Real Winner!

White Daisies! Using Color Efex Pro Midnight Filter


These beautiful daisies are growing in my front yard – first time I had seen this variety with the navy and orange centers. (Hover over image to see the image as it came from Lightroom.) Got a chance to try out the new Color Section in the Lens Correction Panel in Lightroom 4’s update (Adobe Camera Raw 7.1 for Photoshop) and it worked great! See New Color Fringe Correction Controls for information on this new tool. Next used Nik Color Efex Pro 4 with Detail Extractor, Midnight and Image Borders filters stacked. The Midnight Filter set to Sepia Color Set really gave this image the lovely soft feel. Added a few control points in Nik Viveza 2 to bring out the structure of the flower centers and buds. Added a Curves Adjustment Layer and painted out a few of the distracting light points. That was it……Digital Lady Syd

Digital Lady Syd Related Blogs:
NIK Color Efex Pro 4 – Digital Lady Syd’s Review!
Nik’s Viveza 2 Plug-In – A Hidden Gem!
Nik Color Efex Pro 4 Just Does It Right!

Black and White Effects on Outside Art



I call this image “Who’s Looking at You?” I almost fell down taking this image and everybody at the Flagler College (old Ponce de Leon Hotel in St. Augustine, Florida) thought it was funny as the tour guide just said one of her rules was no one was allowed to fall down! Oh my! Anyway, I was totally struck by the beautiful face on this figure which is part of the Ladies Side Courtyard Entrance. I do not know who actually created the figure but it appears to be similar to the Lion Statues outside the entranceway (see my Tidbits Blog Loving Both Filters!) Used Topaz Black and White Effects on image selecting the Cyanatype Collection -> Cerulean Dynamic preset to get the color effect started. Also used a Gradient Fill Adjustment Layer using a Gorgeous Gradient Royal set to Linear Style, 90 degrees, and Reverse with layer set to Overlay blend mode and 62% opacity – painted out the face a little using a white layer mask and low opacity black brush. Sharpened the face and that was it. I loved the final result!…..Digital Lady Syd

I Didn’t Know That! Converting Lightroom Preset to Adobe Camera Raw Preset

I occasionally come across a need to take a Lightroom preset and use it as a preset in Adobe Camera Raw. This is not as complicated as it seems. Below are the steps required to accomplish this task.

1. Apply the preset in Lightroom and make sure you know which panels and sliders you used. (If preset not already created, to save preset in Lightroom, on left side of Presets line, click (+) for “Create New Preset.” Name preset.)

2. Right click on image in Lightroom and select Edit in -> Open as Smart Object in Photoshop. The image is opened in Photoshop with the Smart Object icon on bottom right of thumbnail in Layers Panel.

3. Double click on thumbnail and it opens up into Adobe Camera Raw.  Go to Presets panel (9th icon over on righthand side under the histogram) and the click folder icon at the bottom of the panel to open the New Preset dialog. Name and click the items you want included in the preset, then click OK. Your new preset shows up in the Presets panel.

You can now use your Lightroom preset anytime you want in Adobe Camera Raw also. I usually start my personal preset names off with an SJ so I know they are mine. It is easy to get presets from many different sources as time goes on so it helps to know which are yours.

The image above is of a miniature mum in my yard. Hover over the image to see how the image looked with just a Lightroom preset I created called Dark Vignette – it makes the background very dark behind the flower.  For information on how to create this preset and how the image was finished, see bottom of blog for details.

Hope this helped you get a little more organized…..Digital Lady Syd

To create this preset, changes were made to: the Tone Curve set to Highlights -24, Lights +41, Darks -56, and Shadows -54; HSL – Luminance sliders set to Red -41, Orange -9, Purple -2, Magenta -50 and all others 0, and Saturation sliders set to Red -2, Purple +32, Magenta +59 and all others set to 0; Effects Post-Crop Vignetting Style set to Highlight Priority with Amount -61, Midpoint 33 Feather 0 and others set to 0. To finish, image was sharpened and OnOne PhotoFrames (see sidebar for website link) acid burn controlled 15 was added and reduced in size in the plug in, and then grunge 12 was added on top – in Photoshop petals were painted over frame edge using a layer mask on first acid burn frame.

Digital Lady Syd Related Blogs:
Colorful Blown Out Look Lightroom and Adobe Camera Raw Preset
Settings for Vivid Drawing Look ACR/Lightroom Preset and NIK Color Efex Pro 4 Pseudo HDR Recipe

Orchids with Russell Brown’s Paper Textures Panel


This was so easy and turned out so pretty. Need to darken the background of your image to get this effect. The the Flypaper Texture Creme Anglaise was added to give the painted look (in group of textures provided with Russell Brown’s Paper Texture Panel – see blog links below to download). A Hue/Saturation Adjustment Layer was added to darken the texture a bit more with Master set to Hue -146, Saturation -59, and Lightness -14. The flowers were painted out in the layer mask so they would not be affected by the color change, but it still did not have enough purple tone. Therefore a Color Fill Adjustment Layer was added with the color set to a deep blue (R101G33B227) set to 37% opacity. The flowers were once again painted out on the adjustment layer mask. The last step was OnOne PhotoFrame airbrush_06 (see sidebar for website link) and the color was sampled from the image to finish up. Very quick and easy effect…..Digital Lady Syd

Digital Lady Syd Related Blog:
Russell Brown’s Paper Texture Panel – A Real Winner!
Russell Brown’s Paper Texture Panel Updated!
Russell Brown Texture Panel Landscape Image

Whale Watching with Nik’s Color Efex Pro 4 & Viveza 2


One of the many photos of a great whale watching trip on the Big Island in Hawaii. (See Hawaii Ocean Sports for information on whale watching boat trip.) This image used one of the workflows I like to use for quick processing of my images. The RAW file was adjusted in Lightroom where the Highlights, Shadows, Whites and Blacks sliders were moved. Next the Exposure and Contrast sliders were adjusted, and finally it was straightened and cropped. The image was brought into Photoshop and opened in Nik’s Color Efex Pro where five filters were added in this stack order: B&W Conversion (Dynamic Contrast), Photo Stylizer (Cool Silver – Style 1), Low Key, Darken/Lighten Center, and Detail Extractor applied just to background area with Control Points. Not sure how I came up with this combination, but I really liked the final result. Nik’s Viveza 2 was used to sharpen up the whale and water blowing up behind him. OnOne PhotoFrame acid controlled 12 (see sidebar for website link) was added using a matching color from image. That was it!

The combination of Color Efex Pro and Viveza is a pretty powerful combination. I do not process any image now without at least going into Viveza – it is a fabulous finishing plug-in…..Digital Lady Syd

Digital Lady Syd Related Blogs:
Nik’s Viveza 2 Plug-In – A Hidden Gem!
Detail Pop Using Nik Color Efex Pro and Viveza
Using NIK’s Color Efex Pro 4 and Viveza Together

Nik Color Efex Pro 4 Just Does It Right!


Loved the beautiful old puppets on display in one of the walkways at the Hilton Waikoloa Village on the Big Island in Hawaii. It seemed like a perfect time to once again add the Nik Color Efex Pro 4’s new Film Efex – Vintage filter. The Colorize Filter, Midnight Filter, and Image Border were then stacked on top. Finally a little Nik Viveza 2 to sharpen the elephant a bit and that was it! Love the results!…..Digital Lady Syd

Digital Lady Syd Related Blogs:
The New Film Efex-Vintage Filter From NIK CEP 4
Beautiful Daisies with Film Efex: Vintage in Nik Color Efex Pro 4
Unsharp Mask Filter In LAB Mode

(Here are my settings for the filters:  Film Efex-Vintage – Saturation 10%, Warmth 79, Vignette 63, Brightness -2, Grains per pixel 500, Film Strength 80%, and Film Type 13; Colorize – Method 6, Color R143G209B219, Strength 5%; Midnight – Color Set Neutral, Blur 0, Contrast 30, Brightness 60, Color 57, Shadows 20, and Overall 78%; and Image Border – Type 3, Size 60%, and Spread 98%.)

Another Soft Hawaiian Landscape


Image was taken at Lapakahi Historical State Park of one of the homes the early Hawaiians lived in roughly 600 years ago on the western side of the Big Island.

For this image, the steps used were from my my blog Using Color Efex Pro and Texture for a Warm Hawaiian Landscape Effect for the second image. Same Lightroom preset, same textures (using Russell Brown’s Texture Panel (see my blog Russell Brown’s Paper Texture Panel Updated!), and same adjustment layers. Image was sharpened and a New Layer was added on top where a paint brush set to yellow at 20% opacity was used to paint in the blown out highlights on the roof of the house. (See my blog Getting Rid of Those Blown Out Areas in Your Image on how to do this.) A different OnOne PhotoFrame was added – Taufer_Texture_12. (See sidebar for website link.)

Not very realistic but definitely has that Hawaiian feel and that is okay!…..Digital Lady Syd

Beautiful Soft Flowers



Just loved the pink hyacinths I bought – hope they will come back next year! This image was taken with my Micro Nikkor 60 mm f/2.8 lens at f/9.5. Used Mike Moats workflow (see info on this in related blogs below) with Color Efex Pro 4 (stacking Tonal Contrast, Darken/Lighten Center, and Vignette filters) added first and then Viveza 2 to make the details sharp. OnOne PhotoFrame napp_frame_12 (see website link in sidebar) was added. Final result – beautiful!…..Digital Lady Syd

Digital Lady Syd Related Blogs:
Using NIK’s Color Efex Pro 4 and Viveza Together
Nik’s Viveza 2 Plug-In – A Hidden Gem!
The Macro Shot

Cleaning Up a Messed Up Photo

Here is another before and after for you. The image of the KPC Seafood Restaurant at the Hilton Waikoloa Village on the Big Island in Hawaii. At night it was wonderful to eat outside under the dark starlit sky with the ocean waves in the background. I wanted to add this image to a Hawaiian slideshow I am creating in Lightroom 4 and was really disappointed at how bad the original image appeared. I liked the tone in the wood and the sky was rally nice but otherwise, it was not too good an image. I tried several techniques, walked away from it for a day, and came back to it. I finally got the nice result shown above (hover over image to see the original). To get this result, I removed the palm tree going straight up to nowhere. Next I went into Nik’s Viveza 2 to get rid of the hazy feeling. I usually use this filter later in my workflow, but this image needed a quick tune-up before I could do anything else. Then I went into Topaz’s Black and White Effects (see sidebar for website link) and by playing with the Quad Tones, got this really nice result. (For settings, see below.) A Curves Adjustment Layer was added to enhance the contrast of the building, but the blue in the sky was painted black in the mask to keep it from being affected by the curve change – the blue of the sky competed too much with the blue tones in the restaurant. Noise was removed from the whole image (see Russell Brown ACR blog below to do this). Localized sharpening was done and Puppet Warp was used to straighten the vertical lines of the restaurant. I feel like I was able to save an otherwise very bad image by using these two plug-in filters, and I might add two of my very favorites.  For information on how to do some of my workflow steps, see my blog links below. …..Digital Lady Syd

Digital Lady Syd Related Blogs:
Nik’s Viveza 2 Plug-In – A Hidden Gem!
Quad Tones in Topaz Black and White Effects Plug-in
I Didn’t Know That! Curves Adjustment Layers
Edit Layers with ACR (Adobe Camera Raw) Script
Straightening with Puppet Warp!

A preset was created in Topaz Black and White Effects using these settings as shown on the final version of image above:  Conversion: Basic Exposure settings – Contrast 0.08, Brightness 0.05, Boost Blacks 0, and Boost Whites 0; Adaptive Exposure settings – Adaptive Exposure 0.56, Regions 7.06, Protect Highlights 0, Protect Shadows 0, Detail 2.17, and Detail Boost 1.04; and Color Sensitivity settings – Red (-0.15), Yellow (0.38), Green (-0.42), Cyan (0), Blue (-0.09), and Magenta (0).  Finishing Touches: Silver and Paper Tone settings – Tonal Strength 0.63, Balance 0, Silver 32.00, Silver Tone Strength 0.50, Paper Tone 32.00, and Paper Tone Strength 0; Quad Tone settings: Color 1 Region (Color R0G0B0), 24.68, Color 2 Region (Color R86G102B136) 69.92, Color 3 Region (Color R229G223B164) 154.9, and Color 4 Region (Color R255G252B206) 255.0; Vignette settings – Center (2796,1607), Vignette Strength (-0.09), Vignette Size 0.53, Vignette Transition (0.63), and Vignette Curvature 0.75; and Transparency settings – Overall Transparency 0.59)