Just liked the way my purple-blue violets turned out so I decided to post them. When I took this image, I held an old Cokin Gradual Blue Filter 122 B1 in front of my macro lens. In Lightroom David duChemin’s Iceland Split Greens preset (from his newest book The Print and the Process: Taking Compelling Photographs from Vision to Expression) was applied and then the Basic Panel sliders were tweaked. Topaz Detail 3’s (for website link see sidebar) Overall Detail Light I preset was applied. Next a Levels Adjustment Layer was applied and the mid point was moved to the left (2.57) to really lighten the image. The layer mask was filled with black (CTRL+I) and just some of the purple edges were painted back so the purple was not so bright. Next 2 Lil Owls (see sidebar for website link) Scripted Brush 34 at 2500 pixels was painted in upper right area – a layer mask was applied and any brush color was painted off the flowers. The layer was set to 68% opacity. A green Color Fill Adjustment Layer was clipped (ALT+click between layers) to change brush strokes to green. Kim Klassen’s Unleashed (a beautiful texture that was free by signing up for her newsletter) that I converted to a PNG texture was applied and a light purple Color Fill Adjustment Layer was clipped to the layer. The texture was set to 62% opacity. Another Levels Adjustment Layer was placed on top and the black Output Levels tab was set to 38 to soften and lighten the whole image. In the layer mask, the two main flowers were lightly painted out to sharpen just a bit. That was it. I really enjoyed just doing a fun image…..Digital Lady Syd
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The London Eye Looking Up
I was just playing around in Lightroom today and found this old image of The London Eye that was a very different type shot. Decided to process it first using NAPP‘s Lightroom preset Summer Day. It created a very yellow image, totally different from what I ended up with, but I thought I would try it. Once opened in Photoshop, Topaz (see sidebar for website link) Detail 3, my “go-to” filter where I actually tried the “I Feel Lucky” button. The image above is basically what I ended up with. (These are the settings if you are interested: Detail: Overall details set to Small Details -.094 Small Details Boost 0.84, Medium Details 0.87, Medium Details Boost 0.53, Large Details -0.92, and Large Details Boost 0.95; Tone: Exposure 0.81, Contrast -0.53, Highlights 0.70, Shadows 0.81, Whites -0.81, Blacks 0.82, Cyan-Red 0.63, Magenta-Green 0.51, Yellow-Blue -.86, and Add Grain 0; Color: Temperature -0.70, Tint 0.75, Saturation -0.84, and Saturation Boost 0.57; and Effect Mask: Overall Opacity 0.37.) The last step was to add a Curves Adjustment Layer and putting a little less blue in the Blue Channel. This really looks like how I remember the sky that evening. The London Eye was one of my very favorite things I did on my trip to England……Digital Lady Syd
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“Perfect” Perfect Layers!
Beautiful Feathers!
Painterly Red Berries
These little red berries were growing in my neighbors yard – I really did not think they would look that great but I took a photo anyway. By adding the soft painterly texture, they turned into something quite beautiful. In Lightroom the basic panel sliders were manipulated and an adjustment brush was set to increased clarity and sharpening to paint around the edges of the front berries. The image was then opened in Photoshop where Topaz (see sidebar for website link) Detail 3 was opened and the Desaturated Blush I preset was applied. Painted Textures Creamsicle texture was set to Linear Burn at 100% opacity. A Levels Adjustment Layer was added and the Output level was changed to 54 to add a slight light haze to the image. The berries in front were painted out in the adjustment layer mask so they would appear slightly sharper. That is it! I love this texture – gives a real painterly look!…..Digital Lady Syd
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Beautiful Christmas Flowers
The Kiddie Tractor Revived!
Riding my toy tractor may be the first recollection I have. Since I grew up practically in the middle of a corn field (although my parents were not farmers), my first ride-on toy was a tractor exactly like this one. It was my favorite toy and I put miles on it! I did not have a tricycle, just a tractor. I had to get a picture when I went to the 39th Annual Turkey Run in Daytona Beach, Florida, last fall. Looks like we are missing a pedal here.
Used my basic Camera Raw steps (see How to Use Adobe Camera Raw (ACR) or Lightroom 4 Quickly) in Lightroom 4. Next Topaz (see sidebar for website link) Detail 3 was applied using Overall Detail Medium II preset first, and then the Soft and Dreamy II preset was applied. The tractor was painted back in a layer mask so just the background was softened. On a duplicated layer Topaz Adjust 5’s Low Key II preset with Transparency slider set to .28 was applied to the layer. A Hue/Saturation Adjustment Layer was used to desaturate the greens and yellows. 2 Lil’ Owls (see sidebar for website link) Workbook Bonus Texture 16 was added at 85% opacity. A High Pass Sharpening effect set to 8 pixels was applied and a final Curves Adjustment Layer for added contrast and give a nice orange color to the tractor was added. Lots of fun to work on something from your childhood……Digital Lady Syd
More Border Fun!
Creating the Border: Completed this border using a tutorial I learned from PhotoshopLayers.com called Photographic Edges in Photoshop. It is basically a very simple process and uses the Photoshop Sprayed Strokes Brush Stroke Filter to create the border. I changed the settings and maxed out the Stroke Length to 20, the Spray Radius to 25, and Stroke Direction to Horizontal to get a more pronounced edge. Then the frame was saved down as png file. This was done using my the little known Script called Save Layers to File. (See my blog How To Make Frames or Borders on how to do this.) To use this new border easily on other pictures, just drag it into your document. Use a Solid Color Adjustment Layer to change the color of the frame. In this case, I changed it to a light pink, then used a Layer Style to add a soft gradient, a white texture, and Outer Glow. Using a Layer Style on borders can create a very subtle but nice effect.
Creating the Image: These Alestroemeria flowers were actually captured at the local grocery store with my little point-and-shoot Kodak camera. Not much processing was required. I followed the Lightroom processing steps from my blog How to Use Adobe Camera Raw (ACR) or Lightroom 4 Quickly. In Photoshop I applied OnOne Perfect Effects (see sidebar for website link) stacking Tonal Contrast, Rice Paper Light Texture, and Hollywood Glow at 50% opacity. A Curves Adjustment Layer was added to add back just a little overall contrast. A composite was created on top (CTRL+ALT+SHIFT+E) and duplicated. The top layer was set to Multiply Blend Mode and on a layer mask using a large soft black brush at 100% opacity, one dot was placed on where I wanted people to look first. Next the border .png was placed on top with a Solid Color Adjustment Layer set to light pink. Finally a Layer Style was added to the border using a light pink to pink Gradient Overlay (Blend Mode Normal, Opacity 48%, Linear Style, Angle 81 degrees, and Scale of 150%), Pattern Overlay (Blend Mode Normal, Opacity 66%, Pattern set to Normal Blend Mode, Opacity 66%, Pattern from Photoshop’s Watercolor Patterns – bockingford_rough at Scale 55%), and an Outer Glow set to its default settings.
Try creating this border – it really easy and fun to make!…..Digital Lady Syd
Snowy Butterfly with Akvis Sketch
This is a female Palamedes Swallowtail Butterfly (the males are smaller and blacker in color) that was so much fun to photograph – my favorite type of butterfly to photography as they as not so skiddish to shoot. I decided to try out the Akvis Sketch plug-in that I recently reviewed. (See Digital Lady Syd Reviews Akvis Sketch Plug-in for Photoshop.) To get this image, first I opened up the image in Photoshop. To sharpen the image Calvin Hollywood’s Freaky Amazing Details action was applied – see my Tidbits Blog A Little Hollywood for My Butterfly Model to get information on how to do this and the action download link. A composite was created on top (CTRL+ALT+SHIFT+E) and Akvis Sketch was opened – a preset I created before was applied, (Used the Classic style, Strokes section Color Pencil was set to 63, Edge section Edge Width was set to 56 and a Good Colored Sketch preset was created.) Next a Shadowhouse Creations Vintage Soft Grunge V27b texture was applied. A New Layer was added on top where French Kiss Spatter4 Brush 22 was set to 5000 px at 30% brush opacity to create the soft purple splotchy layer. Next Shadowhouse Creations free Cabin/Trees brush was applied at 49% layer opacity. The top layer used my free SJ Snow2 Overlay slight blur at 100% layer opacity. Anyway just another way to have fun with Akvis Sketch…..Digital Lady Syd
A Fairytale Gazebo
As promised, here is a totally different rendition of the same image I posted earlier. (See Where Am I?) This was just plain fun to do. Below are the boring details – it actually took me along time and a lot of manipulating to get this result but I really love how it turned out. The soft diffused look really adds the fairytale quality to the image. Bottom line, just keep playing with an image and you can come up with some surprising results…..Digital Lady Syd
Basically I got the crazy pastel colors by applying Nik Viveza 2 (here are the settings which produced a rather green and pinkish layer: Brightness 86%, Contrast 100%, Saturation 86%, Structure 100%, Shadow Adjustments -100, Warmth -2%, Red 17%, Green -9%, Blue 22%, and Hue 39 degrees). Then Control Points were added in various areas to adjust tweak the color. A composite layer was created (CTRL+ALT+SHIFT+E) as the top layer. This layer was duplicated and Topaz (see sidebar for website link) photoFXlab was opened. What I listed in my Photoshop note attached to the image is in parentheses. (Duplicate layer. Plug-ins Tab was selected and Black & White Effects was opened. Used my SJ White Flower settings preset which has these settings: Basic Exposure – Contrast 0.16, Brightness -.04, Boost Blacks -.12, and Boost Whites .20; Adaptive Exposure – Adaptive Exposure 0.26, Regions 8, Protect Highlights .06, Protect Shadows .02, Detail 1.80, and Detail Boost .96; Color Sensitivity – Yellow .22, Green -.04, Cyan .01, and Blue .01; Quad Tone – Color Region 1 Black and slider at 0.00, Color Region 2 Red 23/Green 25/Blue 86 at 119.4, Color Region 3 Red 113/Green 150/Blue 170 at 187.8, and Color Region 4 White at 255.0; and Transparency 1.00. Diffusion section was checked and Softness was set to .75, Diffusion to .60, and Diffusion Transition to .50. Local Adjustments mask was set to Detail brush and the gazebo and columns were painted over. Then the B&W Effects plug-in was exited. Stamp From Stack button was pressed and in the Adjustments tab Dynamics slider was set to 29. Another From Stack button was created and from the Plug-ins Tab, Topaz Adjust 5 was opened where Painting Venice preset was applied with no changes. Once back in photoFXlab the Mask tab was opened and the effect was painted out once again from the gazebo and columns.) The changes were applied and the image was back in Photoshop. The yellows in the front bushes and trees was too bright, so a Image -> Adjustments -> Replace Color was selected using a light purple color. A Color Balance Adjustment Layer was clipped to the Replace Color layer and the purple colors were further enhanced. Next a brush was created to make purple to pink sparkles for the bushes and trees. (Brush settings were: Hard Round Brush – Size 20 px, Spacing 141, Shape Dynamics Size Jitter 25, Scattering 944%, and Color Dynamics Brightness Jitter 50%.) Used a light color (#917eb5) color and a darker color (#5e5098) of purple and painted around trees and bushes – then added a layer mask to remove from areas the lights got scattered over. A clean up layer was created to clean up some of the harsh that showed up in unexpected places. My SJ Snow1 Overlay was applied at 61% opacity. A composite layer was added on top and duplicated. The top layer was changed to Multiply. A layer mask was added and the cupola was painted back in white for emphasis. A Curves Adjustment Layer was added to add contrast to the cupola. The sky was selected and put on its own layer and converted to a bluish purple sky by clipping a light purple Color Fill Adjustment Layer to it. Next a Grunge Border line was applied around the image in a dark purple color.
Where Am I?
May have figured this out already since I have posted very similar photos – but this is at Fortunato Park in Ormond Beach, Florida – and is one of my favorite places. The above is the rooftop cupola from the old Hotel Ormond – the only remaining part from a beautiful old hotel that was torn down in 1992. It was in such a bad condition that it could be restored – what a shame!
Okay – I am a huge Photoshop plug-in fan – I love to be able to do something with a photo that I could not do just in Photoshop or Lightroom alone. Nik plug-ins really made this image! Basically Nik’s Viveza 2 (my very FAVORITE plug-in – can’t beat it for fixing any problem in an image) was applied to the image to add detail and contrast to localized areas of the image (detail in the orange roof, saturation and color to sky in middle of cupola, and detail to the interesting lines on the building). That in itself added a huge improvement to the image. Next Nik’s Color Efex Pro 4 was added and three filters stacked: Bleach Bypass, Detail Extractor, and Film Efex Vintage using Method 14 and setting the Overall Opacity slider to 52% – did not want to overdo the vintage feel. I use the Film Efex Vintage often – lots of versatility in just this one filter! (See related blog links below for other examples.) Next Shadowhouse Creations Scratch Box frame layer was applied – this is from the Scratch & Frame Box Overlay.PSD file he supplies. (Check these out – some great borders just in the PSD file!) I created a PNG file of just the frame by following the steps in my blog How To Make Frames or Borders – scroll down to the section called “To save the frame you created as an overlay to use again” and follow steps. I used an off white color sampled from the image in a Color Adjustment Layer clipped (ALT+click between layers) for the frame. That was all I did and I love the slightly vintage effect – goes nice with historic buildings. Next time I will show you a totally different look for this same image (see A Fairytale Gazebo)……Digital Lady Syd
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Digital Lady Syd Reviews Nik HDR Efex Pro 2
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Red Flowers in the Snow
Once again here is an image I never thought I would process, but thanks to all the beautiful textures out there, the flowers end up looking like I remember them – well sort of – minus the snow. These Celosia flowers were taken in the courtyard at Flagler College (the old Ponce de Leon Hotel) in St. Augustine, Florida. This image was first processed in Lightroom where cropping and Basic Panel sliders were adjusted. An Adjustment Brush was applied to sharpen some of the foreground flower tips. In Photoshop Melissa Gallo of Painted Textures in her tutorial video Turn Your Photo into a Pastel Painting, Pencil Drawing or Pen and Ink, the second example, was followed. First the background was duplicated and the top row was set to Screen Blend Mode. A black layer mask was applied and with a white brush, the dark areas of the flower was painted in white to lighten the color on the mask. A Levels Adjustment Layer was applied the Midtones set to .78 to increase contrast just a little. A composite was created on top (CTRL+SHIFT+ALT+E). Next 2 Lil’ Owls Mosaic Set’s Claude texture (see sidebar for website link) was added and a layer mask added where the flower was painted back into the image using a soft 30% opacity black brush. A text layer was added showing the name of the flower using Flakes font at 131 pt size and a brown color. Another line of text was created using a quotation from Emily Dickinson using Chopin Script font and set to a grayish brown color. My free SJ Snow Overlay-slight blur was duplicated several times, merged, and set to 75% opacity. A Curves Adjustment Layer was the last step to add a little contrast. I loved the final result, and for some reason the snow just added a special effect to a red flower look…..Digital Lady Syd
Happy Valentines Day!
These flowers were growing in the countryside in Belarus several years ago. I am not sure what kind they are, but the blooms were huge! And the colors are incredible! Not a lot of processing here. After some basic slider adjustments in Lightroom 4, the image was opened up in Photoshop and three inches were added the left side of the image to create an area to add type by going to Image -> Canvas Size. The image was sharpened using Topaz (see sidebar for website link) Detail 3 and the Feature Contrast II preset. Some of the contrast was removed from the image by duplicating the top layer and setting it to Screen blend mode. A black layer mask was added and the high contrast areas were painted back in so they were not so obvious. (See a wonderful video by Melissa Gallo of Painted Textures called Turn Your Photo into a Pastel Painting, Pencil Drawing or Pen and Ink on how to do this.) A New Layer was created and some of the too bright highlights on the pink and purple flowers were lightly painted out. (See my Tidbits Blog Getting Rid of Those Blown Out Areas in Your Image.) Added a Levels Adjustment Layer per Melissa’s suggestion and then Topaz Simplify 4 was opened and the Painting II preset applied. The centers of the large blooms were brushed out to bring back the detail a little using a brush set to 33% opacity in the Local Adjustments section, the Dynamics slider in the Adjust section was set to 0.38, and Tone in Finishing Touches was checked. Back in Photoshop Kim Klassen’s Reentry Texture was added – beautiful texture that was free by signing up for her newsletter. On a white layer mask the flowers were lightly painted out to reveal the flowers just enough. Next on another New Layer some pink hearts were added to the background using Obsidian Dawn’s hearts-glitter brush set’s Glitter Brush set to 4100 px. Once again a white layer mask was added and the flower painted out so the hearts do not cover them. This layer was set to 68% opacity. The text was added using my favorite Freehand575 BT font set to a default setting of the Bevel & Emboss layer style. A basic texture image turned into a Valentine for you!…..Digital Lady Syd
Topaz Labs AI Gigapixel
Check out AI Gigapixel stand-alone software for upsizing your images. It’s incredible! And it can now be used as a plugin when in Photoshop. Also Topaz Labs Photo AI has some great sharpening and denoise tools along with Photo Video AI.
Luminar Neo
Click here to visit Luminar for more info and check out their new AI Filters.
GRUT BRUSHES – Photoshop Brushes for Digital Artists
Click here to visit GrutBrushes.com
And be sure to check out his Free Brush of the Week and Brush Sampler! These are the best brushes you can find!
Topaz Studio 2 and Legacy Topaz Labs Filters
Unfortunately Topaz Studio 2 and other Topaz Lab filters are no longer available for sale as of 2020. If you had bought these filters and would like to put them back on, here is a link to the Legacy Apps where they can be downloaded again. Below is an example of the wonderful Remix AI Filter from Studio 2. The wonderful Impression still works fine in Photoshop right now along with Adjust (all versions), ReStyle, and even PhotoFXLab!
On1 Photo Raw
Wonderful software to use as a substitute for or plugin with Photoshop. Many great filter effects and lots of AI capabilities!
