Anything Photoshop or Photography

Lightroom

White Daisies! Using Color Efex Pro Midnight Filter


These beautiful daisies are growing in my front yard – first time I had seen this variety with the navy and orange centers. (Hover over image to see the image as it came from Lightroom.) Got a chance to try out the new Color Section in the Lens Correction Panel in Lightroom 4’s update (Adobe Camera Raw 7.1 for Photoshop) and it worked great! See New Color Fringe Correction Controls for information on this new tool. Next used Nik Color Efex Pro 4 with Detail Extractor, Midnight and Image Borders filters stacked. The Midnight Filter set to Sepia Color Set really gave this image the lovely soft feel. Added a few control points in Nik Viveza 2 to bring out the structure of the flower centers and buds. Added a Curves Adjustment Layer and painted out a few of the distracting light points. That was it……Digital Lady Syd

Digital Lady Syd Related Blogs:
NIK Color Efex Pro 4 – Digital Lady Syd’s Review!
Nik’s Viveza 2 Plug-In – A Hidden Gem!
Nik Color Efex Pro 4 Just Does It Right!


I Didn’t Know That! Converting Lightroom Preset to Adobe Camera Raw Preset

I occasionally come across a need to take a Lightroom preset and use it as a preset in Adobe Camera Raw. This is not as complicated as it seems. Below are the steps required to accomplish this task.

1. Apply the preset in Lightroom and make sure you know which panels and sliders you used. (If preset not already created, to save preset in Lightroom, on left side of Presets line, click (+) for “Create New Preset.” Name preset.)

2. Right click on image in Lightroom and select Edit in -> Open as Smart Object in Photoshop. The image is opened in Photoshop with the Smart Object icon on bottom right of thumbnail in Layers Panel.

3. Double click on thumbnail and it opens up into Adobe Camera Raw.  Go to Presets panel (9th icon over on righthand side under the histogram) and the click folder icon at the bottom of the panel to open the New Preset dialog. Name and click the items you want included in the preset, then click OK. Your new preset shows up in the Presets panel.

You can now use your Lightroom preset anytime you want in Adobe Camera Raw also. I usually start my personal preset names off with an SJ so I know they are mine. It is easy to get presets from many different sources as time goes on so it helps to know which are yours.

The image above is of a miniature mum in my yard. Hover over the image to see how the image looked with just a Lightroom preset I created called Dark Vignette – it makes the background very dark behind the flower.  For information on how to create this preset and how the image was finished, see bottom of blog for details.

Hope this helped you get a little more organized…..Digital Lady Syd

To create this preset, changes were made to: the Tone Curve set to Highlights -24, Lights +41, Darks -56, and Shadows -54; HSL – Luminance sliders set to Red -41, Orange -9, Purple -2, Magenta -50 and all others 0, and Saturation sliders set to Red -2, Purple +32, Magenta +59 and all others set to 0; Effects Post-Crop Vignetting Style set to Highlight Priority with Amount -61, Midpoint 33 Feather 0 and others set to 0. To finish, image was sharpened and OnOne PhotoFrames (see sidebar for website link) acid burn controlled 15 was added and reduced in size in the plug in, and then grunge 12 was added on top – in Photoshop petals were painted over frame edge using a layer mask on first acid burn frame.

Digital Lady Syd Related Blogs:
Colorful Blown Out Look Lightroom and Adobe Camera Raw Preset
Settings for Vivid Drawing Look ACR/Lightroom Preset and NIK Color Efex Pro 4 Pseudo HDR Recipe


Another Soft Hawaiian Landscape


Image was taken at Lapakahi Historical State Park of one of the homes the early Hawaiians lived in roughly 600 years ago on the western side of the Big Island.

For this image, the steps used were from my my blog Using Color Efex Pro and Texture for a Warm Hawaiian Landscape Effect for the second image. Same Lightroom preset, same textures (using Russell Brown’s Texture Panel (see my blog Russell Brown’s Paper Texture Panel Updated!), and same adjustment layers. Image was sharpened and a New Layer was added on top where a paint brush set to yellow at 20% opacity was used to paint in the blown out highlights on the roof of the house. (See my blog Getting Rid of Those Blown Out Areas in Your Image on how to do this.) A different OnOne PhotoFrame was added – Taufer_Texture_12. (See sidebar for website link.)

Not very realistic but definitely has that Hawaiian feel and that is okay!…..Digital Lady Syd


Humorous Shots Are Sometimes the Best



This image is one I found in my video I took while watching the dolphin program at the Dolphin Learning Center, one of the activities offered at the Hilton Waikoloa Village on the Big Island in Hawaii. When I processed this image, it seemed no one was paying any attention to the dolphin that is flying out of the water. Really struck me as a very funny shot! Anyway, thought I would share it.

The image was processed using two Virtual Copies of the image in Lightroom, one enhancing the water and dolphin and the other the people and pool. I selected the two Virtual Copies, right clicked and chose Edit In -> Open as Layers In Photoshop. This stacked the two Virtual Copies as layers in Photoshop. The one version layer created for the dolphin was masked out using a black layer mask. Then with a very low opacity white brush, the areas I liked from that version were painted back in on the black layer mask to give a little more contrast to the image. Really liked the result. This is a great way to pull detail out of a single image…..Digital Lady Syd


Creating a JPG From a Video in Lightroom 4


This whale came to visit the catamaran while I was whale watching (through Hawaii Ocean Sports) – I guess this is unheard of that a whale would come so close to the boat and hang out for 5 minutes like this guy did. Everybody on the boat including the boat personnel were going crazy as the whale would swim under the boat to the opposite side and then swim back under to the other side. He was so close you could almost touch him! He came up at the back of the boat and then turned around and raised his tail at the boat as he left. What a trip! Using my Sony Handycam HDR-XR500V video camera, I was able to get some nice video of the whale although it was hard to be at the right place at the right time with so many people around. What is really nice is that now Lightroom 4 has a limited video editing function. You can actually scrub through your video and select a frame that can be saved as a JPEG (click to open the square to the right of the video timeline and select Capture Frame) which can then be edited in both Lightroom and Photoshop. That is how I got this image.

The Exposure, Highlights, Shadows, and Blacks sliders all had to be reduced and the Contrast was increased to get a good image of his face. In Photoshop Topaz Adjust was opened using the Film Collection Effect Vintage Grunge IV preset. The Detail Strength was lessened a bit, the Warmth slider moved warmer a little, Grain and Vignette turned off, and Transparency slider set to o.25. Back in Photoshop a Hue Saturation Adjustment Layer was added to slightly desaturate and change the Hue in the Red tones on the whale. A Curves Adjustment Layer was added to improve contrast. Not bad for a fairly low resolution image. If you like Lightroom and have some video clips, you should take a look and see if you can use some of the frames you captured to add to your photo collection…..Digital Lady Syd