Adding Texture to a Landscape
Usually I use my own images to alter, but I found this beautiful texture image of old buildings in Porto, Portugal, from Mayang’s Free Textures (scroll down a ways in link to see original) and it seemed like a good candidate to see what I could do with some more textures to enhance it some. Click their link to see the original image and lots of others that can be used for personal use.
This image was first processed using Topaz (see sidebar for website link) photoFXlab. First duplicated the layer. On top layer the Black & White Effects plug-in was opened and Hand Tinted Chiffon was selected with Transparency set to 1.00 and Vignette Strength to .45. After applying the plug-in, back in photoFXlab this layer was set to Linear Light at 100%. A +From Stamp layer was created and these Adjustment tab sliders set: Tint -8, Saturation 17, and Dynamics -28. Next exited to Photoshop where some clean up was done and French Kiss Artiste Collection Fantasie texture was applied. Two Hue/Saturation Adjustments Layers were added with black filled layer masks – the red-orange color needed to be adjusted and the greens above the buildings were off. These areas were painted back in the masks to create the correct tone in the image. An Ash texture (no long available – but Shadowhouse Creations has a very similar texture called ArtGrunge 5 which would give a very similar effect) and it was set to Hard Light blend mode at 45%. A hazy feel was added to the image by adding a Levels Adjustment Layer and just moving the Output Level black tab to 80. A Curves Adjustment Layer was added next to just slightly add contrast. This image had a very low resolution on it so I created a composite layer on top (CTRL+ALT+SHIFT+E) and went to Image -> Image Size and checked the Resample Image box and set the resolution to 240, leaving the size alone. The last step was adding my Mid Size Double Edge Frame layer style – sampled colors in the image for frame colors. I was really pleased with how painterly this image turned out. It is a little different from creating a flower type texture image, but you can really add some creative aspects with a little experimenting. And thank you Mayang.com for supplying such a interesting image to work with!….Digital Lady Syd
Digital Lady Syd’s Rule No. 9: Get the Shot!
I took this beautiful little rose at Lowe’s with my inexpensive Kodak C1450 14-mp point-and-shoot camera and it turned out very nice! These little cameras really do a great job for those unexpected shots! Since most people have decent cameras on their phones (mine is still a 2 megapixel so I carry this camera), there really is no reason not to get the shot. It just may not be quite as sharp or colorful as your good camera, but at least you get the shot, the memory, and something you can work with in Photoshop. That is what I did with this rose – it was a little soft except where it was focused, but the colors were still beautiful and overall, not that bad an image.
One of the issues I had with this image is that it is a JPG and there was a lot of Chromatic Aberration in the image – I tried to remove it in Lightroom, but it still looked rather bad so I treated it with a soft texture treatment to blend in the petals where the bleeding was bad. Some noiseware was also applied. Two gorgeous textures were stacked from French Kiss Textures – Artiste Fantasie at 80% opacity and Artiste LaDanse set to 68% opacity and her Spatter Brushes were used over the rose. Following Dave Cross’s path tutorial from his Photoshop CS5 Finishing Touches for Photographers class at Kelby Training (but it is also in his really good Photoshop Finishing Touches book), I created a fancy edge around the flower. Dave’s book was published a while back, but most of the tutorials work fine in CS6.
So get the shot, even if you do not have your best equipment with you – it may be a great image anyway!…..Digital Lady Syd
When Was the Last Time You Saw a Phillips 66 Gas Pump?
Really loved how this 3 image HDR turned out. Who knew you could actually buy old gas pumps! They were being sold at the 38th Annual Turkey Run located in the Daytona International Speedway infield last month. The three images were stacked using the free Lightroom Photomatix Merge to 32-bit HDR if you own Photomatix HDR Pro. My duChemin Maasai Chocolate split tone preset (that I created from settings in David duChemin’s Vision & Voice: Refining Your Vision in Adobe Photoshop Lightroom book) was also applied. In Photoshop 2 Lil Owls texture 6 (see sidebar for website link) was set to Vivid Light at 45% opacity. A Levels Adjustment Layer was added, some clean up done, and French Kiss Glorious Grunge Edging overlay border was added and changed to a dark brown color using a Solid Color Fill Layer clicked to the overlay. That was it.
Christmas Wreaths at SeaWorld
For this wonderful holiday, thought I would show this pretty image of wreaths from SeaWorld Orlando. Just a little basic processing in Lightroom before taking the image into Photoshop. Topaz (see sidebar for website link) Adjust 5’s High Key preset was applied with the Overall Transparency set to .24. Next Topaz Detail 3 was applied using the HDR Enhancement II preset. French Kiss’s Artiste Chamante texture was applied and set to Overlay at 100% opacity. My free Snow1 Overlay was next applied and set to 75% opacity. French Kiss’s Glorious Grunge Edging Overlay was applied next and a Solid Color Adjustment Layer set to a light pink was added. Since the edging did not seem to show up real well, it was duplicated along with the Adjustment Layer. That was all that was done and I love the final effect – the umbrella really added to the shot. Hope all are having a wonderful week!…..Digital Lady Syd
Beautiful Christmas Flowers
These flowers were once again taken at the local grocery store with my little Kodak Point-and-Shoot camera. I bought four textures from Melissa Gallo’s Painted Textures website on Black Friday and love them. These are very painterly textures and create a different look! She also has some very interesting tutorial videos on how to apply a texture – keeping the texture on an image and painting in color to remove texture from parts of the image, which is what was done here. Check out her website if you enjoy textures as much as I do.
The biggest change I did on this image was in Lightroom where the White Balance eyedropper was sampled throughout the image until I found something different that I liked – it turned a rather dark fall colored image into a bright red and pink image. Totally awesome! I also used a Lightroom Adjustment Brush to sharpen the yellow centers of the flowers and some of the rose petal edges. Now following Melissa’s tutorial, Shadowhouse Creations Vintage Soft Grunge texture V32b texture in Set 3 was applied using the Multiply blend mode at 84% opacity, along with Painted Textures Taupe Canva using Hard Light blend mode at 35% and Pink Impasto using Hard Light blend mode at 67%. A Color Balance Adjustment Layer was added to increase the red color a little in the Highlights and greens in the Shadows. A Curves Adjustment Layer was added to lighten the overall contrast of the image.
Totally loved the result!…..Digital Lady Syd
Digital Lady Syd Related Blogs:
For Tidbit Blogs, click on the Texture Category to get several more.
Where to Find Those Cool Free Christmas Card Templates?
How to Create Unique Textured Backgrounds
How to Create Unique Watercolor Background Texture
Creating That Vintage Texture Feel
Russell Brown’s Paper Texture Panel Updated!
Tips for Flower Textures
Some Free Christmas Overlays to Spice Up Your Christmas Cards
Using a Couple of My Textures
Just thought I would post a little link to how my textures can work together. These are my miniature mums on my back porch – they were processed in Lightroom using my workflow (see How to Use Adobe Camera Raw (ACR) or Lightroom 4 Quickly). Once in Photoshop clean up was done first on some of the petals, and a High Pass Filter set to radius 8 and Soft Light blend mode to sharpen the flowers. Next my free Pastel Watercolor Texture set to Hard Light, and Cat Painting Texture set to Hard Light at 40% opacity. Last a couple of French Kiss Splatter brushes were added and my French Photography Overlay I created (see How to Create Personal Overlays for Your Images). That is all that was involved. Enjoy!…..Digital Lady Syd
The Textured Flower Look!
Really enjoying processing the beautiful little white mums still blooming on my back porch. I recently found yet another wonderful texture site and decided to give it a try. The flower image was first processed in Lightroom – a preset called Summer Haze by Matt Kloskowski (one of the Photoshop guys at NAPP) was first applied and it turned everything into this soft warm summery feeling. With the Basic sliders a few tweaks were added to increase Exposure and open up the Shadows a little, and then a couple adjustment brushes were created to add sharpening and clarity to the flower centers. Once in Photoshop some blown out highlights were softened (see Getting Rid of Those Blown Out Areas in Your Image and a little Burning was done to bring out some of the flower lines. Next a beautiful Kim Klassen Texture called Organic was added and set to Hard Light blend mode at 92%. (Join her site and get lots of her beautiful textures for free including this one!) A Levels Adjustment Layer was added to increase the contrast a little. Next I added one of my own overlays I created (see How to Create Personal Overlays for Your Images) and used a layer mask to remove part of it – just wanted a little showing. I also used a small splatter brush at 15% opacity to reduce parts of the lettering without reducing all of it. The last step involved adding my favorite French Kiss Glorious Grunge Edging Overlay – a free overlay that can be downloaded at her site. That was it!…..Digital Lady Syd
Just Bloomin’ Beautiful!
This miniature mum was in bloom again for the fall season. Just beautiful! This image was taken with my Micro Nikkor 60 mm f/2.8 macro lens set to Manual mode, 1/90 sec, F/5.6 and ISO 200. Very little processing but did use Flypaper Texture Rainbow Trout Taster and my Double Edge Frame Layer Style sampling the Inner Shadow color from the image. Enjoy!…..Digital Lady Syd
Digital Lady Syd Related Blogs:
The Macro Shot
Beautiful Soft Flowers
Displacing an Overlay
Since I have been posting a lot on overlays recently, I wanted to show how you can get a really authentic look to overlays by displacing them onto a textured background. In this image the lettering looks like it has been on the wall in the background all the time. This is pretty neat trick Photoshop can accomplish but I personally find it hard to do. Corey Barker, of The Photoshop Guys fame, gave a nice quick tutorial on his Planet Photoshop website called Graphic Texture. The process involves creating a displacement map psd file that is applied to the overlay layer. The steps are as follows:
1. Open image and make sure it is in 8 bit mode. To find out, go to Image -> Mode -> 8-bit. At this point I created a Stamped Composite layer of all the work I have done to have a clean layer to start this process on – go to CTRL+ALT+SHIFT+E.
2. Create duplicate copy of image by going to Image -> Duplicate Image and click OK. This will be your Displacement Map image. Convert this image to black and white image by going to Image -> Mode -> Grayscale. Save the Displacement Map as a psd on your desktop so you can get to it easily.
3. In your regular image, do corrections and add your overlay were you want it. Be sure to Rasterize (right click and select) your overlay if it is a Smart Object.
4. With overlay layer selected, go to Filter -> Distort -> Displace and in the dialog box, set Horizontal and Vertical to 5 for small displacement or 10 or larger – the image above used 5. You are then directed to find your grayscale image on your desktop. Once done, the overlay will distort by the amount of your settings.
5. CTRL+click on overlay layer thumbnail to select your graphic.
6. Highlight your layer underneath your overlay layer, and CTRL+J to copy to a New Layer. Turn off your old overlay layer. The lettering may totally disappear now. Desaturate the new displaced overlay layer by pressing CTRL+SHIFT+U. Go to Layer -> New Fill Layer -> Solid Color and check Use Previous Layer to Create Clipping Mask and OK. Change to any color – try sampling in your image when you hover your mouse over it. You do not need to turn on the original displaced lettering layer.
7. Try changing the layer blend modes and opacity of your overlay layer. Add a Levels Adjustment Layer to increase contrast if needed.
That is it. It is not that difficult but does take a little manipulation to get to work. If you do get it right though, a beautiful result will occur…..Digital Lady Syd.
Digital Lady Syd Related Blogs:
How to Create Personal Overlays for Your Images
Checking Out French Kiss Textures
I broke down and bought some French Kiss textures and overlays. They have such beautiful real painted textures that they caught my eye. Also the overlays and brushes are from vintage French books and letters – creates a very unique look. I hope to figure out how to make some of my own overlays when I get a chance. In the meantime I thought I would post this image of pink bougainvilleas that I shot at SeaWorld-Orlando. This image used Artiste Collection Impasto Overlay II texture and Artiste Savoir Faire Overlay twice with parts of the text turned in different directions. Just layer mask out parts you do not want showing. You should check out the French Kiss website for several free textures and overlays and try this technique out. There are also some good texture tutorials on how to this look. Very beautiful results very quickly! For more tutorials that used French Kiss products, see my blogs listed below. Have fun!…..Digital Lady Syd
Digital Lady Syd Related Blogs:
A Vintage Butterfly Postcard Effect
Artistic Daisy!
A Little Hollywood for My Butterfly Model
Getting a Nice Painterly Landscape Effect with Topaz Simplify and Texture
A Vintage Butterfly Postcard Effect
My butterflies certainly get around. This lovely lady is checking out my yellow and pink lantanas in my front yard. I had fun creating this antique post card effect. Not sure why I did it but it was fun. Thought I would share how I got this final result as it involves using overlays, which add such an interesting look to an image. The original butterfly image was processed using Nik Color Efex Pro 4‘s Detail Extractor filter and then Film Efex Nostalgic Film Type 1 filter. This gave a very solid looking, almost illustrative look, butterfly and flowers to work with. I added a black layer mask and painted back the parts I wanted to use for the image. Underneath this layer ShadowHouse Creations PC8 (Post Card) texture was added and a Solid Color Adjustment Layer clipped to the texture (CTRL+Click between the layers) using a lighter color to brighten it up. Two layers were created and light blue and pink were painted around the butterfly and flowers. Three of French Kiss’s overlays were added: 1904 for the writing, Grungy Flourish for the upper left corner design, and Stamp 2 – all from the French Script No 1 brush collection, and Glorious Grunge Edging for the outside of the postcard (this is free on her website and a really nice overlay effect). Also on a New Layer a single brush stroke of Paper Scratch Brush in Paper Damages Brush Set on Adobe Exchange was used to get the folds. This just sort of developed and it was fun to do. Got to love Photoshop!…..Digital Lady Syd
Digital Lady Syd Related Posts:
Artistic Daisy!
Artistic Daisy!
This yellow daisy has a very interesting texture by French Kiss Textures called Lakeside – she actually offers it for free at her website (she also has some great tutorials on how to use textures on her site). I was not that familiar with her textures until recently – she has some beautiful textures that have more of an artistic flair to them than most sites. This texture was actually placed behind my daisy. A Hue/Saturation Adjustment Layer was placed above the texture and the colors were changed from the blue-yellow-green to the green-purple tones by setting Hue to -117, Saturation to -41 and Lightness to -8. The daisy had been cut out as an object using Select -> Color Range and selecting just the flower and stem. The flower was processed in Topaz (see sidebar for website link) Simplify 4 using the Oil Paint Toned V preset – the Tone and Edge Sections were turned off and the color space set to RGB. The layer was set to 75% opacity to tone it down a little. A pink textured border (see my SJ PNG Borders) was placed round the image and the color was changed to light brown using another Hue/Saturation Adjustment Layer set to Hue +48, Saturation -3, and Lightness 0. A Curves Adjustment Layer was added to get the final contrast in the image. That was it. Try downloading her free texture package and see if you like them as much as I do!….Digital Lady Syd
Digital Lady Syd Related Posts:
Getting a Nice Painterly Landscape Effect with Topaz Simplify and Texture
A Little Hollywood for My Butterfly Model
Digital Lady Syd Reviews Topaz Simplify 4
Polly Parrot Simplified with Topaz!
Pretty basic application of Topaz (see sidebar for website link) Simplify 4 on this image. This adorable parrot image used a Simplify preset I previously applied to an ocean scene. (These are the preset settings: Simplify YCbCr; Size 0.15, Feature Boost 0, Details Strength 1.09, Details Boost 2.42 , Details Size 0.70, Remove Small 0.10, and Remove Weak 0.31; Adjustments tab: Brightness 0, Contrast 1.05, Saturation 1.70, Saturation Boost 1.20, Dynamics 0.31, Structure 0.95, and Structure Boost 1.00; No Edges; Curves Tool – Strong Contrast II; and Transparency – Overall Transparency 0.40.) ShadowHouse Creations beautiful Overlay Texture MO8-2012 was applied at Linear Dodge (Add) blend mode at 100% opacity. A Curves Adjustment Layer and a little clean up finished up the image. I love the results!…..Digital Lady Syd
A Little Hollywood for My Butterfly Model
If you have ever tried Kelby Training, then you know how good it is. I just finished a short video class on Quick Composite From Photo to Finish by Calvin Hollywood, a wonderful Photoshop guru from Germany. He was shooting a lovely model but I like my lovely model above more. She spent quite a long time flitting around me and my bright pink penta flowers posing along the way. (She is using her proboscis to feed by sucking out the fluid of the flower, not unlike the trunk of an elephant.) I did a previous blog called Butterfly Beauty! a while back, where several different textures were applied. Also Mike Hardisty Photography recently posted a pretty white butterfly in his blog.
Calvin’s sharpening technique was used to sharpen the butterfly and it did do an amazing job! See Scott Kelby’s Guest Blog featuring Calvin with a short video on creating Freaky Amazing Details. An action for this can be downloaded here. His vignette technique was also used to spotlight my model and a couple of his color manipulation tricks were used to add some artistic flair. Overall, Calvin had a very good tutorial. The textures used in this image were ShadowHouse Creations Mixed Bag 2 set to Darker Color blend mode and Scratch Box 4 set to Overlay blend mode. The beautiful French writing in the background is French Kiss’s Script brushes that are for sale very inexpensively. ….Digital Lady Syd
Digital Lady Syd Related Blogs:
Spotlight Effect With the New Subtract Blend Mode
Orange Flower Fun!
Just felt like posting a pretty autumn looking flower – these are called Orange Spark Symphony (Osteospermum hybrid) which are also called Mimosa Sunset – very confusing and very unusual! Topaz (see sidebar for website link) Adjust 5 was used with the Retro IV preset applied. ShadowHouse Creations OldPhoto2 texture was used and set to Soft Light Blend Mode. That is it! I love these daisies!…..Digital Lady Syd
Digital Lady Syd’s Related Blogs:
Digital Lady Syd’s Review of Topaz Adjust 5!
Cafe Alcazar and Vintage Topaz Adjust
Digital Lady Syd’s Rule No. 8: Get Textures From Objects Inside Your Home!
This image is of the area above an entryway onto a courtyard at Flagler College (it actually was the ladies entryway to the courtyard at the old Ponce de Leon Hotel) in St. Augustine, Florida. In Photoshop I added a texture created from a shot of the corner of a large oil painting of a beautiful white cat in my living room to use on this image. (It can be downloaded here.) It is medium gray with lots of paint stroke texture that I find I am using quite often. Try going around your home to see if you have some interesting textures that could spice up an image. I took some of the lace in my dining room curtains and even my living room couch material. The kitchen countertop also made a nice dark texture.
The bricks throughout the college are colored that beautiful brick red-orange tone. This image definitely needed to be put into a sepia tone to see the detail so it was converted into black and white using Nik’s Silver Efex Pro 2 and the High Structure (Harsh) preset used as a starting point. Back in Photoshop my Cat Painting Canvas texture was applied and the layer set to Color Burn blend mode at 50% opacity. Next a Hue/Saturation Adjustment Layer was added and clipped to the texture (CTRL+Click between the layers to do this) so changes only apply to the texture and not the whole image. Colorize was checked and the Saturation set to 10 which gave a little more of a deep red sepia feel. Next a New Layer was added on top and Nakatoni’s Amazing Texture 2 brush (does not appear to be available anymore but any smooth grunge brush would do) was selected to paint with a dark brown color sampled from the image. By filling this layer with grungy strokes, and then setting the layer to Subtract blend mode at 90% opacity, the bluish almost duotone feel was created and also more texture was added. By double-clicking on the middle of the layer, the Layer Style dialog was opened and the Blend If Gray – This Layer white tab was split (ALT+click and drag to get a smooth transition) and set to 56/89 and the Blend If Red – This Layer white tab was split and set to 91/211 that really changed the red tone. It surprised me how nice it looked! A Curves Adjustment Layer was applied to add a little more blue by adjusting the Blue channel curve. A composite (CTRL+ALT+SHIFT+E) was created on top, and my Thin Double Edge Frame layer style was used (can download here), keeping the default colors. Once again, this produced a totally different image and I created the textures myself very quickly and inexpensively! Have fun exploring!…..Digital Lady Syd
Cold Dolphin Fountain in Florida
Sometimes I find I just need to do something sort of funny and just play around in Photoshop. That is how I got this crazy image of my cold dolphins instead of the warm Florida dolphin fountain in my front yard – actually it really was raining at the time I took this picture from the front porch. Essentially this image was just color corrected in Lightroom and brought into Photoshop where four textures were stacked using Dr. Brown’s Paper Texture panel (Ash texture 30, a bluish texture which is no long available, set to Hue at 74%; Bittbox Grunge Ice Texture set to Linear Dodge at 15%; Florabella Snow 3 texture, which may not be available anymore, set to Lighten at 15%; and ShadowHouse Creations Old Photo 6 texture set to Hard Light at 100% (see sidebar for blog link) – all are free except the Ash texture). Several Curves Layers were created to isolate and enhance parts of the image by filling the layer mask with black (CTRL+I on mask) and painting back using a low opacity brush. Not sure it is something I would put up on my wall, but it was a lot of fun to do!…..Digital Lady Syd
Digital Lady Syd Related Blogs:
Russell Brown’s Paper Texture Panel Updated!
Creating That Vintage Texture Feel
Click on Textures on right in Categories for more blogs
Butterfly Beauty!
Today I had a chance to get some wonderful shots of one of the beautiful butterflies that are flying all around my neighborhood. This is a female Palamedes Swallowtail Butterfly and she is loving the pink pentas in my front yard (the males are smaller and more black in color). I was so surprised that she stayed around while I shot several pictures. The trick to getting the shot since her wings are flapping like crazy – set your ISO to 1600 and shot at F11 and higher. I was able to get many very clear shots. Three textures were applied using Russell Brown’s Paper Texture Panel: ShadowHouse Creations Scratched Overlay set to Hard Light blend mode at 100% layer opacity and Softly Blurred Edges set to Overlayat 100% opacity (see sidebar for website link), and Gavin Hoey’s Grunge Border set to Overlay at 100%. All had layer mask applied and the butterfly was painted out completely using a black brush in the mask. A Curves Adjustment Layer was created to adjust just the blue channel curve to bring out her blue spots, then the mask was filled with black (with white Foreground color, CTRL+BACKSPACE to fill with mask with black). Just painted back in the blue dots in the Curves Layer Mask with a white brush. That is all that was done to the image – what a showgirl!……Digital Lady Syd
Digital Lady Syd’s Related Blogs:
Digital Lady Syd’s Rule No. 5: Just Step Outside and Look Around!
Digital Lady Syd’s Free Layer Style Frames
To download the free layer style frame above, a thinner version of it, and a nice black and white double edged frame, go to my Deviant Art site and click on the SJ Double Edge Frame Styles Download File button in upper right corner. To load into Photoshop, the Style Panel needs to be open (Windows -> Styles) – click on the upper right corner icon on panel to open pop-out menu and select Load Styles – navigate to folder where the file was downloaded and click Load. (To add them to listed styles in pop-out, load the style manually. If using Windows 7, go to Local C Drive/Users/user name/AppData/Roaming/Adobe/Adobe Photoshop CS6/Presets/Styles and move downloaded .asl file here – this adds file to Photoshop internal settings.) When using these styles, be sure the top layer is a complete layer (see Step 1 below) or it will not apply correctly.
TIP: If you want to use the colors from your image, just double click on the effect in the Layers Panel which brings up the dialog box for that effect. Click on the color swatch in the effect and when the Color Picker opens, sample image using the eyedropper that appears when hovering in your image – click to add that color into the frame. For the Inner Shadow effect, if you are not seeing any color update when sampling, change the Blend Mode to Normal from Multiply. Note that the next time you use the Layer Style, it will return to whatever colors you set originally, so save it as a New Layer Style if you want to keep the new color settings (see Step 5 below). Sampling colors from the image can often frame it beautifully!
Below are the steps on how to create my layer styles. I am using the frame colors seen above as they seem to look nice on many of my images.
1. Need to have an image layer on top for the layer style to work correctly. To do this, highlight the top layer in the Layers Panel and press CTRL+ALT+SHIFT+E to create a layer that combines all the active layers (eyeballs showing on left edge) in the image. Need to remember this shortcut as it is very useful when doing a lot of things in Photoshop!
2. Double-click on the top layer and the Blending Options dialog box appears. Be sure Blending Options: Default is highlighted on left side.
3. Check and click on Inner Shadow effect and change just these settings: Blend Mode to Multiply, Color Swatch set to brownish color (R165/G120/B0), Opacity 100, Distance 0, Choke 83, and Size 15 pixels.
4. Check and click on Inner Glow effect and change just these settings: Blend Mode Normal, Opacity 100, Color Swatch to greenish color (R115/G121/B42), Technique Softer, Source Edge, Choke 90%, and Size 19 pixels.
5. To save these settings as a Layer Style preset for using on other images, click the New Style button and name it and leave checked Include Layer Effects. Now click on Styles at top left in dialog box or open the Style Panel (Window -> Styles), and it will appear at bottom of the listed styles.
To create the little thinner frame around your image, in Step 3 set Size to 21 and in Step 4 set Size to 29. (For example, see my blog 32-Bit HDR Using Lightroom and CS6.) To create a nice Black and White framing, set Inner Shadow to Normal Blend Mode and Color Swatch to Black – still using Size 51 pixels, and Inner Glow to a White Color Swatch and Size 62 pixels. Of course you can adjust the sizes to look good on your image if they need it. If you do not like the way the style looks after applying, just CTRL+Z to delete and try another one. Try adjusting all the sliders and seeing if you can get an even nicer look.
This image of my pretty little purple Agapanthus bloom was processed using Nik Color Efex Pro 4 – BiColor User Defined filter set to white and light pink colors, Darken/Lighten Center centered on the flower center, and Glamour Glow filters. Two textures were added using Dr. Brown’s Paper Texture Panel (see my blog Russell Brown’s Paper Texture Panel Updated!) and Flypaper’s Apple Blush taster texture using Linear Light at 39% opacity and Creme Anglaise taster texture set to Overlay at 100 opacity. The last step was clicking on my SJ Double Edge Frame layer style in Styles Panel to apply.
Try using these layer styles – I think you will like them. The framing gives a clean sharp edge to an image, especially for posting on the internet……Digital Lady Syd
Which Tool to Use – Smudge or Mixer Brush?
I ran across an old tutorial that was in the very first Photoshop Creative magazine back in 2006. It was on how to create a digital painting by using the Smudge Tool. Well that was something I had to try out – couldn’t believe I had not tried this before! I really like the Mixer Brushes, which is what I usually use (see my blog Adobe Photoshop CS5’s Mixer Brushes). Once I started playing around with the Smudge Tool using different brushes and sizes and opacities, it was actually fun. My curiosity got the best of me and now I needed to know what IS the difference between the two tools – they create very similar results? I was able to find a reasonable answer on the Internet at Model Mayhem.com. Here is what they said:
“The Smudge Tool simulates the effect you see when you drag a finger through wet paint. The tool picks up color where the stroke begins and pushes it in the direction you drag……The Mixer Brush simulates realistic painting techniques such as mixing colors on the canvas, combining colors on a brush, and varying paint wetness across a stroke.”
I think this is a nice short explanation of what is happening. For my Peach Dahlia I found it was nice to use both tools. It seemed it was easier to blend colors with the Mixer Brush and then smooth edges and shape color using the Smudge Tool. The Photoshop Wow Book for CS3 and CS4 (still my favorite Photoshop book) had a nice section on painting with the Smudge Tool. They recommended using the Natural Brushes that come with Photoshop and start by using short strokes, which samples the color underneath more frequently. Then use a small brush size for detail.
To create this image, first a blank layer was placed on top. Then these two brushes were used to paint: Mixer Brush – created tool preset brush with these settings: Stipple Dense 26 pixels from Natural Brushes set (Options Bar: No Current Brush Load, Load the Brush After Each Stroke, Wet 100%, Load 1%, Mix 91%, Flow 100%, Check Sample All Layers). Smudge Brush Tool Preset created using Stipple 54 pixels from Natural Brushes preset with Options Bar set to Mode Normal, Strength 78%, and Checked Sample All Layers. Be sure to save these brushes as Tool Presets so the Options Bar settings are retained – if just saved as brushes, the settings might not be correct. Also, note that if the Finger Painting box is checked in the Smudge Tool options bar, the smear stroke will start with the Foreground color. If turned off, the color under the cursor is sampled first. At 100% Strength, only the first color sampled is applied – at lower settings it fades out the first color and picks up the new one. Then I just alternated mixing and smudging until I liked what I saw. The last step involved adding three textures to the image to give a real painting look: the first one is a light gray canvas texture (I created it by taking a picture of a portion of the canvas on a large oil painting in my dining room – try this – you might really like the results) set to Soft Light at 53% opacity; next ShadowHouse Creations Old Photo 2 set to Overlay at 100% opacity – it provides the interesting edging on the image; and Flypaper Textures Aquaflora taster set to Overlay at 80% opacity. I painted out a little bit of the texture on the top two textures just to direct the eye to the center of the flower. A Curves Adjustment layer was added on top to give just a small contrast boost. Overall it was really fun to try out a new tool and learn something about it!…..Digital Lady Syd
Unknown Little Girl Statue
Here is another beautiful little girl statue from an unknown sculptor at the Lightner Museum (old Hotel Alcazar) in St. Augustine, Florida. I decided to use several of my own textures on this image. First it was cropped, processed a little in Lightroom, brought into Photoshop CS6 where Nik Viveza 2 was used to sharpen only the statue. Nik Color Efex Pro was opened and Dark Contrast Filter and Glamour Glow filters were stacked. I then used four layers of my own textures that I created (two were made by painting on a white background with soft colors using a large Mixer Brush and one is of my lace curtains) and finally finished off with ShadowHouse Creations Old Photo 6 texture used twice – once as a Color Dodge layer at 43% and one as a Linear Burn at 88% on the background only. I loved the way it has an old Western look – she reminds me of Rebecca of Sunnybrook Farm. Textures are so much fun!…..Digital Lady Syd
Red Hibiscus + Textures = Beautiful Picture!
Since I did a recent Fun Photoshop Blog on Creating That Vintage Texture Feel, I thought I would display another one of my compositions using Sarah Gardner’s pointers from her new book Art Beyond the Lens: Working with Digital Textures. This red hibiscus from my front yard was first taken into Topaz photoFXlabs (see sidebar for website link) and on a duplicate layer inside the plug-in, the InstaTone tab using 500 px “Bright Spot” photo was used for the tonal effect. Adjustment tab settings of Exposure -.21, Contrast 4, and Dynamics 35 were applied to the layer. While in this interface, ShadowHouse Creations Entropy 2 texture was added as a new layer and set to Linear Light at 94% opacity, and these settings were applied from the Adjustment Tab to get the beautiful color in the texture: Temp 0, Tint 15, Sat 0, Dynamics 22, Sharpness -9, and Shadows 1. Back in Photoshop, ShadowHouse Creations Vintage Film 6 texture (gives the great framing edge) was applied using Hard Light blend mode at 100% opacity. The last step was to add a Curves Adjustment Layer to increase the contrast a little and that was it. Textures and flowers look so great together!…..Digital Lady Syd
Digital Lady Syd’s Related Blogs:
InstaTone in photoFXlabs – Great Fun and Great Results!
Using photoFXlab v1.1
Using Topaz photoFXlab to Replace Skies
Digital Lady Syd’s Review of Topaz photoFXlab v1.1
Little Girl Statue at Lightner Museum
If you follow my blog much, you know I am a big fan of the Lightner Museum. It is not that fancy and not that big, but totally interesting with their wide range of the late 18th and early 19th century items – lots of fun to just drop-in for an afternoon. And of course St. Augustine is a great city to visit as there is a lot to do, even just walking around is fun! This little girl is one of the beautiful statues that is located in the museum – I have no information on who created her but she has a wonderful expression. (To see a different view of this statue, see my Fun Photoshop Blog Getting that High-Fashion Desaturated Look.)
I initially was going to give a the whole image a painterly effect. I decided I liked just having the background with the artistic feel and keeping the actual statue very detailed but with a softer color. I was trying to follow the Photoshop Workbench – Watercolor Composite by Mark Johnson (his tutorials are great!) but I changed a lot of the steps for this image as I did not like the way it was turning out. Textures were added using using Russell Brown’s Texture Panel (see Russell Brown’s Paper Texture Panel Updated!) – Sarah Gardner’s Blush Cherry set to Overlay Blend Mode at 100% Opacity, Princess of Shadow Texture 3 Hard Light at 43% Opacity, and Shadowhouse Creations Oil Painting-2 set to Overlay at 49% Opacity. Then painting was done above for them to get the colorful background using Mark’s tutorial.
Just goes to show that Photoshop is so much fun! And it is fun to remember the beautiful art that I run across……Digital Lady Syd
Digital Lady Syd Related Blogs (all links related to Lightner Museum)
Lidden Urn from Carl Thieme
The Art Corner: Little Girl Knitting – A Mystery Sculpture!
Black and White Photo or Not? Give It a Try on That Difficult Image
Cafe Alcazar and Vintage Topaz Adjust
Photoshop’s CS6 (and Pixel Bender’s) Oil Paint Filter
Where Am I?
The Art Corner: Poetry and Music by Clodion
This Carrara marble artwork is found in the East Sculpture Hall of the National Gallery of Art in Washington, DC, and was sculpted in 1774-1778 in Paris by Clodion. Metal Chris, a great local DC concert photographer and founder of the DC Heavy Metal website, took all these these images for me recently as I missed it on my last trip to the National Gallery. What I love about this sculpture is that by viewing it from the different angles, which Chris did, you get a very different expression and feel of the art. Poetry definitely takes on a very different look depending on the view.
The Gallery’s site says “Clodion prepared a terracotta model for Poetry and Music, which is in the National Gallery and frequently on view in the ground-floor sculpture galleries. It provides a rare chance to compare an artist’s model with the final version in stone. In this case, Clodion modified the figure of poetry, “correcting” it to adhere to traditional representations: the terracotta figure had rested his head in his hand, but here he holds a writing stylus.” I will try to find this on my next trip to the Gallery – I think it would be fun to see. This is one of four sculptures that were meant to bring to life the abstract concepts of the arts and sciences. I did a previous blog called The Art Corner: Painting and Sculpture by Tassaert if you are interested in more information on both sculpture pieces. The last two pieces, Geometry and Architecture by Jean-Jacques Caffieri created in 1776 and Astronomy and Geography by Felix Lecomte created in 1778 are located at the National Trust, Waddesdon Manor, Buckinghamshire, England.
The first image was processed using Russell Brown’s Paper Texture Panel (see Russell Brown’s Paper Texture Panel Updated! blog to download) and Flypaper Textures Creme Anglais Taster set to Overlay Blend Mode at 93% Opacity and Touchstone Taster set to Overlay Blend Mode at 100% Opacity. Layer masks were added to clean up the faces and shadows a little and a large shadow on the wall was removed as it was very distracting. What really made this image so beautiful was OnOne PhotoFrame (see sidebar for website link) Maivre Background set to Overlay Blend Mode at 80% Opacity while still in the plug-in. It was actually just like adding another layer of texture. Once back in Photoshop, a layer mask was added to softly clear the face area of the texture. The left image of Poetry was converted to a black and white using Nik’s Silver Efex Pro 2 starting with the High Contrast preset. A little localized sharpening was done to the his face using the LAB sharpening method (see my Fun Photoshop blog Unsharp Mask Filter in LAB Mode) and some noise was removed from his body using Imagenomics Noiseware that I am trying out. The right image was hardly touched (only slight noise removal due to the dark lighting effect) – just a beautiful image and very much how the sculpture looks at the Gallery.
If you get a chance to go to this wonderful Art Gallery in DC, you will should try to see one of these beautiful sculptures…..Digital Lady Syd
