Where Am I?
This is a tough one since this image is not of the main attraction in the area. This is the Burgh Hall Tourist Information Center (check out link for live webcams of area) that resides in the center of the town of Linlithgow, Scotland, just outside of Edinburgh. Linlithgow Palace (the birthplace of Mary Queen of Scots) ruins are just behind this building along with a beautiful old church, St. Michael’s Parish Church, next to it. If you are in Edinburgh, it is a wonderful day trip as it is only a half-hour train ride to get there.
The image was processed using Topaz (see sidebar for website link) Black and White Effects 2 three times! The first application used just the Traditional Collection Warm Tone preset set to an Overall Transparency of .90. Next, the same preset was selected, but the Diffusion Section with Softness slider set to .85, Diffusion to .65, and Diffusion Transition to .50, and the Overall Transparency set to 1.00 was applied. The the windows, steps and clock face were painted out using the Localized Adjustments section. The third time a Quad Tone preset I made was applied using Navy Blue, Green, Yellow and White tones . (Quad Tone settings are: Color 1 Region set to Red 1/Green 1/Blue 12 and slider set to 15.08, Color 2 Region Red 63/Green 78/Blue 84 and slider set to 143.9, Color 3 Region set to Red 216/Green 211/Blue 129 and slider set to 227.5, and Color 4 Region was set to white with slider set to 255.0.) Some Border Edging in white was added. French Kiss L’Artiste Dove Wings texture was added and the center of the image was lightly painted back in a white layer mask using a soft low opacity black brush. A Curves Adjustment Layer was added for contrast. Puppet Warp was used to slightly straighten out the buildings – this old building just did not have any straight lines! I totally love the slight diffused look on this image – definitely getting to be a favorite effect for me and I am seeing it a lot more in images now……Digital Lady Syd
Digital Lady Syd Related Blogs:
Straightening with Puppet Warp!
A Fairytale Gazebo
As promised, here is a totally different rendition of the same image I posted earlier. (See Where Am I?) This was just plain fun to do. Below are the boring details – it actually took me along time and a lot of manipulating to get this result but I really love how it turned out. The soft diffused look really adds the fairytale quality to the image. Bottom line, just keep playing with an image and you can come up with some surprising results…..Digital Lady Syd
Basically I got the crazy pastel colors by applying Nik Viveza 2 (here are the settings which produced a rather green and pinkish layer: Brightness 86%, Contrast 100%, Saturation 86%, Structure 100%, Shadow Adjustments -100, Warmth -2%, Red 17%, Green -9%, Blue 22%, and Hue 39 degrees). Then Control Points were added in various areas to adjust tweak the color. A composite layer was created (CTRL+ALT+SHIFT+E) as the top layer. This layer was duplicated and Topaz (see sidebar for website link) photoFXlab was opened. What I listed in my Photoshop note attached to the image is in parentheses. (Duplicate layer. Plug-ins Tab was selected and Black & White Effects was opened. Used my SJ White Flower settings preset which has these settings: Basic Exposure – Contrast 0.16, Brightness -.04, Boost Blacks -.12, and Boost Whites .20; Adaptive Exposure – Adaptive Exposure 0.26, Regions 8, Protect Highlights .06, Protect Shadows .02, Detail 1.80, and Detail Boost .96; Color Sensitivity – Yellow .22, Green -.04, Cyan .01, and Blue .01; Quad Tone – Color Region 1 Black and slider at 0.00, Color Region 2 Red 23/Green 25/Blue 86 at 119.4, Color Region 3 Red 113/Green 150/Blue 170 at 187.8, and Color Region 4 White at 255.0; and Transparency 1.00. Diffusion section was checked and Softness was set to .75, Diffusion to .60, and Diffusion Transition to .50. Local Adjustments mask was set to Detail brush and the gazebo and columns were painted over. Then the B&W Effects plug-in was exited. Stamp From Stack button was pressed and in the Adjustments tab Dynamics slider was set to 29. Another From Stack button was created and from the Plug-ins Tab, Topaz Adjust 5 was opened where Painting Venice preset was applied with no changes. Once back in photoFXlab the Mask tab was opened and the effect was painted out once again from the gazebo and columns.) The changes were applied and the image was back in Photoshop. The yellows in the front bushes and trees was too bright, so a Image -> Adjustments -> Replace Color was selected using a light purple color. A Color Balance Adjustment Layer was clipped to the Replace Color layer and the purple colors were further enhanced. Next a brush was created to make purple to pink sparkles for the bushes and trees. (Brush settings were: Hard Round Brush – Size 20 px, Spacing 141, Shape Dynamics Size Jitter 25, Scattering 944%, and Color Dynamics Brightness Jitter 50%.) Used a light color (#917eb5) color and a darker color (#5e5098) of purple and painted around trees and bushes – then added a layer mask to remove from areas the lights got scattered over. A clean up layer was created to clean up some of the harsh that showed up in unexpected places. My SJ Snow1 Overlay was applied at 61% opacity. A composite layer was added on top and duplicated. The top layer was changed to Multiply. A layer mask was added and the cupola was painted back in white for emphasis. A Curves Adjustment Layer was added to add contrast to the cupola. The sky was selected and put on its own layer and converted to a bluish purple sky by clipping a light purple Color Fill Adjustment Layer to it. Next a Grunge Border line was applied around the image in a dark purple color.
Adding Texture to a Landscape
Usually I use my own images to alter, but I found this beautiful texture image of old buildings in Porto, Portugal, from Mayang’s Free Textures (scroll down a ways in link to see original) and it seemed like a good candidate to see what I could do with some more textures to enhance it some. Click their link to see the original image and lots of others that can be used for personal use.
This image was first processed using Topaz (see sidebar for website link) photoFXlab. First duplicated the layer. On top layer the Black & White Effects plug-in was opened and Hand Tinted Chiffon was selected with Transparency set to 1.00 and Vignette Strength to .45. After applying the plug-in, back in photoFXlab this layer was set to Linear Light at 100%. A +From Stamp layer was created and these Adjustment tab sliders set: Tint -8, Saturation 17, and Dynamics -28. Next exited to Photoshop where some clean up was done and French Kiss Artiste Collection Fantasie texture was applied. Two Hue/Saturation Adjustments Layers were added with black filled layer masks – the red-orange color needed to be adjusted and the greens above the buildings were off. These areas were painted back in the masks to create the correct tone in the image. An Ash texture (no long available – but Shadowhouse Creations has a very similar texture called ArtGrunge 5 which would give a very similar effect) and it was set to Hard Light blend mode at 45%. A hazy feel was added to the image by adding a Levels Adjustment Layer and just moving the Output Level black tab to 80. A Curves Adjustment Layer was added next to just slightly add contrast. This image had a very low resolution on it so I created a composite layer on top (CTRL+ALT+SHIFT+E) and went to Image -> Image Size and checked the Resample Image box and set the resolution to 240, leaving the size alone. The last step was adding my Mid Size Double Edge Frame layer style – sampled colors in the image for frame colors. I was really pleased with how painterly this image turned out. It is a little different from creating a flower type texture image, but you can really add some creative aspects with a little experimenting. And thank you Mayang.com for supplying such a interesting image to work with!….Digital Lady Syd
Digital Lady Syd’s Rule No. 7: Check Out Your Local History
Just because you don’t get to go on that exotic vacation this year, it can be very satisfying to visit some of the local historical places near you. I have been cutting out of the newspaper little articles of unknown treasures in the area and keeping them in a file for a day when I need something new to shoot. The image above is from the center living area of the beautiful old home known as The Casements (circa 1900), and purchased as John D. Rockefeller’s winter home in 1918. It was located across the street from the old (now non-existent Hotel Ormond). I have driven by this local landmark a hundred times and never stopped, but a few weeks ago I did. Not that large a place but really fun to explore.
A tonemapped Tiff file was created using 5 images and taking them into Nik’s new version of HDR Efex Pro 2. In Photoshop it was processed using Topaz (see sidebar for website link) photoFXlab using the Plugins tab and opening Black and White Effects. A Cyanotype Collection preset called Cerulean Tea Rose Dynamics was selected and adding the Color Filter with Hue set to 329.9 and Strength 0.84, and Overall Transparency set to 1.00. Back in photoFXlab in the Adjustment tab, the Dynamics slider was increased slightly. The Detail Brush was used at full strength and the door, lights, flowers and rugs were painted over to sharpen.
I hope to continue exploring locally this year and find some more close-by treasures. So don’t get discouraged – just pick up the local newspaper or surf on the internet for historical places in your area. Then do not forget to download your images and play in Photoshop – the best entertainment there is!…..Digital Lady Syd
Digital Lady Syd Related Blogs:
Digital Lady Syd Reviews Nik HDR Efex Pro 2
Black and White Effects on Outside Art
Digital Lady Syd’s Review of Topaz photoFXlab v1.1
InstaTone in photoFXlabs – Great Fun and Great Results!
Where Am I?
This is an image of San Francisco taken at night in February in a brisk and cold breeze. I just listened to another interesting webinar by Nichole Paschale from Topaz (see sidebar for website link) called Night Photography Enhanced with Adjust, Black and White Effects and Star Effects. I am always surprised how much I learn from these short videos – there were several good tips in this one, even though I know these programs pretty well. My image was not that great, but I needed a nighttime image to try some of the techniques on. Now I rather like the effect. Of course it uses one of my favorite plug-ins, Black and White Effects, so I am not surprised I like the results. The preset was set to my Old Vintage Effect (see Quad Tones in Topaz Black and White Effects Plug-in to create), one I use on a lot of my images. Next the Star Effects plug-in was used to enhance the streetlight using Sun Flare 1 preset. A Flypaper Texture Lemoncello Taster texture layer was added using the Multiply blend mode at 35% opacity. It still did not have the feel I wanted, so I added a Black and White Adjustment layer and mainly lowered the yellow and added some reds and greens and blues. The opacity was set to 26%. A layer style was added to frame the image. I can honestly say this is exactly how the street looked to me as I was walking to dinner on that cold dark night. If you have not tried out some of Topaz’s videos, give them a listen. Lots of cool things to try in them!…..Digital Lady Syd
Hibiscus Flowers – I Love to Photograph Them!
These beautiful Red Chinese Hibiscus blooms appeared on Mothers Day last week so I had to take their picture! Used my favorite artistic plug-in – Topaz Black and White Effects (see sidebar for website link) – and applied a preset I had created earlier called Water Landscape Sunny (Adaptive Exposure section – Adaptive Exposure 0.18, Region as 26.10, Detail 1.11, and Detail Boost 1.09; Quad Tones which creates the interesting effect used Color 1 Region set to R1G1B12 and 9.60, Color 2 Region set to R63G78B85 and 95.97, Color 3 Region set to R216G211B129 at 141.2, and Color 4 Region set to R255G254B237 and 255.0; Edge Exposure set to Edge Size 0.19, Edge Exposure -0.43, and Edge Transition 0.27 for all sides; and Transparency set to 1.00.) While in the plug-in, the Detail brush was used to sharpen the center of the flowers and to go around the petal edges where they overlap each other. Next ShadowHouse Creations Marshmellow Skies texture set to Overlay at 100% opacity was added to give the soft green-turquoise feel to the background – a white layer mask and a soft black brush was used to take the texture effect off the flowers. A Curves Adjustment Layer was added and OnOne PhotoFrame (see sidebar for website link) grunge 04 set to 75% opacity was also added. Not hard and once again a really beautiful effect. I love Black and White Effects! I could do this all day! As you can see by the number of related blogs below, this is definitely one of my favorite plug-ins – check them out for several other examples on how to use it!…..Digital Lady Syd
Digital Lady Syd Related Blogs:
Black and White Effects on Outside Art
Cleaning Up a Messed Up Photo
Topaz Black and White Effects Quad Tones Are Great!
Sunny Preset for Topaz Black and White Effects
My Office Friend Ted
Loving Both Filters!
The Art Corner: Painting and Sculpture by Tassaert
Quad Tones in Topaz Black and White Effects Plug-in
Get Rid of Those Power Lines Fast – with Paths and Spot Healing Tool!
Topaz B&W Effects vs. Nik’s Silver Efex Pro
Just Another Topaz Black and White Effect Example
Topaz B&W Effects Plug-In-A Real Winner!
Black and White Effects on Outside Art
I call this image “Who’s Looking at You?” I almost fell down taking this image and everybody at the Flagler College (old Ponce de Leon Hotel in St. Augustine, Florida) thought it was funny as the tour guide just said one of her rules was no one was allowed to fall down! Oh my! Anyway, I was totally struck by the beautiful face on this figure which is part of the Ladies Side Courtyard Entrance. I do not know who actually created the figure but it appears to be similar to the Lion Statues outside the entranceway (see my Tidbits Blog Loving Both Filters!) Used Topaz Black and White Effects on image selecting the Cyanatype Collection -> Cerulean Dynamic preset to get the color effect started. Also used a Gradient Fill Adjustment Layer using a Gorgeous Gradient Royal set to Linear Style, 90 degrees, and Reverse with layer set to Overlay blend mode and 62% opacity – painted out the face a little using a white layer mask and low opacity black brush. Sharpened the face and that was it. I loved the final result!…..Digital Lady Syd
Cleaning Up a Messed Up Photo
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Here is another before and after for you. The image of the KPC Seafood Restaurant at the Hilton Waikoloa Village on the Big Island in Hawaii. At night it was wonderful to eat outside under the dark starlit sky with the ocean waves in the background. I wanted to add this image to a Hawaiian slideshow I am creating in Lightroom 4 and was really disappointed at how bad the original image appeared. I liked the tone in the wood and the sky was rally nice but otherwise, it was not too good an image. I tried several techniques, walked away from it for a day, and came back to it. I finally got the nice result shown above (hover over image to see the original). To get this result, I removed the palm tree going straight up to nowhere. Next I went into Nik’s Viveza 2 to get rid of the hazy feeling. I usually use this filter later in my workflow, but this image needed a quick tune-up before I could do anything else. Then I went into Topaz’s Black and White Effects (see sidebar for website link) and by playing with the Quad Tones, got this really nice result. (For settings, see below.) A Curves Adjustment Layer was added to enhance the contrast of the building, but the blue in the sky was painted black in the mask to keep it from being affected by the curve change – the blue of the sky competed too much with the blue tones in the restaurant. Noise was removed from the whole image (see Russell Brown ACR blog below to do this). Localized sharpening was done and Puppet Warp was used to straighten the vertical lines of the restaurant. I feel like I was able to save an otherwise very bad image by using these two plug-in filters, and I might add two of my very favorites. For information on how to do some of my workflow steps, see my blog links below. …..Digital Lady Syd
Digital Lady Syd Related Blogs:
Nik’s Viveza 2 Plug-In – A Hidden Gem!
Quad Tones in Topaz Black and White Effects Plug-in
I Didn’t Know That! Curves Adjustment Layers
Edit Layers with ACR (Adobe Camera Raw) Script
Straightening with Puppet Warp!
A preset was created in Topaz Black and White Effects using these settings as shown on the final version of image above: Conversion: Basic Exposure settings – Contrast 0.08, Brightness 0.05, Boost Blacks 0, and Boost Whites 0; Adaptive Exposure settings – Adaptive Exposure 0.56, Regions 7.06, Protect Highlights 0, Protect Shadows 0, Detail 2.17, and Detail Boost 1.04; and Color Sensitivity settings – Red (-0.15), Yellow (0.38), Green (-0.42), Cyan (0), Blue (-0.09), and Magenta (0). Finishing Touches: Silver and Paper Tone settings – Tonal Strength 0.63, Balance 0, Silver 32.00, Silver Tone Strength 0.50, Paper Tone 32.00, and Paper Tone Strength 0; Quad Tone settings: Color 1 Region (Color R0G0B0), 24.68, Color 2 Region (Color R86G102B136) 69.92, Color 3 Region (Color R229G223B164) 154.9, and Color 4 Region (Color R255G252B206) 255.0; Vignette settings – Center (2796,1607), Vignette Strength (-0.09), Vignette Size 0.53, Vignette Transition (0.63), and Vignette Curvature 0.75; and Transparency settings – Overall Transparency 0.59)
I Didn’t Know That! Export Layers to Files in Photoshop
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Every now and then I run into a situation where I want to take one of the layers I am working on in Photoshop and save it down as a separate file. Now it is possible to delete all the files and rename the file, etc., etc., etc. but this can take a while to do and it could cause you to lose the file you are working on if you get careless. This week I wanted one of the sky images I had imported into my image a while back to use again and to put in my Sky folder since I like it. (Hover over image to see sky image created from layer in psd file.) I found out there is a little known script sitting in Photoshop that will accomplish just what I wanted to do in just seconds.
Steps to Export Layer(s) to Files in Photoshop:
1. In your image, turn off all layers you do not want to create images of by clicking on the eyeballs on the left of the each layer in the Layers Panel. (To do this quickly, you can highlight the layer you want to export to a file and ALT+Click on the eyeball – all the other layers are turned off immediately.)
2. Go to File -> Scripts -> Export Layers to Files.
3. The Export Layers to Files dialog appears. Fill out as shown. Be sure to capture all the check boxes or you will get image files for each layer in your file.
4. Click Run and that’s it – really quick and easy!
The image is of the Flagler Presbyterian Church in St. Augustine, Florida, where Henry Flagler and his family are buried. Topaz Adjust 5 and Topaz Black and White Effects were used on this image (see sidebar for website link). The sky is the one I moved in from an image I took on the International Coastal Waterway near St. Augustine while sailing.
Give this script a try next time you want to break apart an image…..Digital Lady Syd
Some of My Favorite Plug-Ins
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I am starting to sort through all the plug-ins that are out there and slowly figuring out what really works for my workflow. This is a really hard process since there are so many great plug-ins and some of them give very similar results. I have blogged on this many times showing how the same images look with the various plug-in effects.
I started working on this image – not one I was totally in love with, but the old Flagler Presbyterian Church is so beautiful to look at that I wanted to create that sensation in the image. I began by manipulating the file in Topaz Adjust 5 (see link to website in sidebar) and hit the “Get Lucky” button just for the heck of it – and this really cool illustrated look appeared that I was not sure what to do with it. (Hover over image to see the Topaz 5 illustrated image.) I decided it needed a new sky so I opened up OnOne’s Perfect Mask (see website link in sidebar) and added a sky I had placed below the image. This plug-in is the best one I have found for replacing skies quickly – check out the little holes in the trees where the sky peaks through. Next several different effects were tried but none made me go “Wow” — that is until I decided to go into the Topaz Black and White Effects plug-in (see link to website in sidebar). It took no time at all – in fact I started with the same settings from my “My Office Friend Ted” image which was a totally different type of image. A few things were adjusted but it still was not quite right. Back in Photoshop a Color Balance Adjustment Layer was added to bring out the blues in the sky a bit more to get the right look. Now it looks like I remember it – but it took some effort. Luckily, I had a plug-in that gave me a great start.
I guess I can honestly say I still love both Topaz Adjust and Black and White Effects – they do have that versatility to turn an okay image around. Definitely great plug-ins and reasonably priced too! And OnOne Perfect Mask is the best for skies – still figuring this plug-in out for other types of selections. I hope to have a page set up soon on which plug-ins have made it into my workflow……Digital Lady Syd
Digital Lady Syd Related Blogs:
Topaz Plug-Ins – Same Image Trying Each!
Same Image – Different Plug-In
My Office Friend Ted
This bear now sits in my office but I was never sure why I got him. Last week there was an interesting post by Ian Summers called “3 Exercises to Keep Creative Imagery Flowing” which gave me an insight to this conundrum. One of his generic creative exercises is called “Create a Giant Love Nest,” an environment that involves surrounding your work/creative area with many of the things you liked as a kid to help feed your creativity. I guess that is how Ted arrived – I found him at a bargain price in Cracker Barrel and had to have him. I am not even sure I had a Teddy Bear as a child but I liked his happy look (he never complains) and he is very soft and big (31 1/2″ tall). What’s not to like? So in honor of using childhood (and adult) toys and collectibles as a way to increase your creativity (and a good excuse to keep some of those things you just can’t part with), I am presenting my office friend “Ted.”…..Digital Lady Syd
PS. Ted was processed in Lightroom Beta 4 (see my Tidbits Blog “Trying Out Lightroom Beta 4“) and Photoshop using Topaz Black and White Effect (see my Fun Photoshop Blog “Topaz B&W Effects Plug-In-A Real Winner” and click on sidebar for website link). I started with the Opalotype Collection Flavescent preset and essentially adapted it by cranking up the transparency to 100, and adjusting the strength and placement of the vignette. A little localized face detail and burning on his mouth was added. That’s all.
Loving Both Filters!
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The above image is one of the beautiful Lion Posts outside Flagler College in St. Augustine, Florida, which used to be the Ponce de Leon Hotel built in 1887. Absolutely beautiful building. Cannot miss it if you go to this wonderful historic city.
Wow – all I can say is that I cannot decide which program I like best – NIK Color Efex 4 or Topaz Black and White Effects. So different and so much alike! I keep trying the same image in each program and get totally different looks but both are really nice! What to do, what to do!
The top image was processed with NIK Color Efex Pro 4 using the Film Efex: Vintage filter on Film Type 14; Detail Extractor filter; and Brilliance/Warmth filter. I used the Sharpening Tool in Photoshop to sharpen the eyes and mane of the Lion. Then Grunge 03 OnOne PhotoFrame was applied in a dark navy. I loved how it became very artsy and colorful. And the background detail is incredible!
Topaz Black and White Effect produced a very different feel that can be seen by hovering over the image. Same exact image from Lightroom except this time I wanted to see what how this image would look as a black and white. I used the new Platinum Collection – Platinum VI as a starting point. What really improved this image was using the Local Adjustment Dodge brush and Detail brush on the shadows in the face and the lamp. This really brought the eyes out very clearly. Using the Color brush, the lights was added back into the lamp. A black border, dark edge exposure, and dark vignette was added. In Photoshop the Sharpen Tool was used on the eyes a little more and the mane. Overall a very different feel to the same image.
I really love both filters and I do not believe I can recommend one over the other. Both totally great. Give the trials a try and see what you think!…..Digital Lady Syd
Related Digital Lady Syd Blog Links:
Topaz B&W Effects Plug-in – A Real Winner!
NIK Color Efex Pro 4.0 – First Try!
The New Film Efex-Vintage Filter from NIK CEP 4
Quad Tones in Topaz Black and White Effects Plug-in
Sunny Preset for Topaz Black and White Effects
NIK Color Efex Pro 4 – Digital Lady Syd’s Review!
The Art Corner: Painting and Sculpture by Tassaert
Pseudo HDR Using NIK Color Efex Pro 4
The Art Corner: Painting and Sculpture by Tassaert
The above piece of artwork is found in the East Sculpture Hall of the National Gallery of Art in Washington, DC, and was sculpted in 1774-1778 in Paris by Jean-Pierre-Antoine Tassaert, a lesser-know Flemish sculptor who lived from 1727 to 1788. I found this piece to be very charming once you understand what the head in the artwork represents. The children are so detailed and sweet looking. From the National Gallery of Art’s website: “With Clodion’s Poetry and Music (also located in the same area of the Gallery), this allegory was one of four that were meant to bring to life the abstract concepts of the arts and sciences. They were commissioned by Louis XV’s finance minister Abbé (Joseph-Marie) Terray for his elaborate Paris residence (to decorate the dining room of his Parisian mansion). The subject was an appropriate one for Terray, since he also served briefly as the director of the king’s buildings with overall responsibility for the state of the arts in France. Painting, sculpture, music, and literature are celebrated by the young cupidlike figures in the two works here; other children carved by two other artists represented geometry, geography, architecture, and astronomy.” The last two pieces, Geometry and Architecture by Jean-Jacques Caffieri created in 1776 and Astronomy and Geometry by Felix Lecomte created in 1778 are located at the National Trust, Waddesdon Manor, Buckinghamshire, England. I think Tassaert’s sculpture is the best of the four in the series.
I processed this piece in the Photoshop plug-in Topaz’s Black and White Effects (see sidebar for link) using the Warm Tone I preset as a starting point, then adding a Quad Tone Effect (Color 1 Region was set to black with slider set to 0.oo, Color 2 Region set to R75/G78/B96 with slider at 142.5; Color 3 Region set to R222/G220/B172 with slider at 228.9 and Color 4 Region set to White with slider at 255.0 – these tones made a very nice soft contrast for this type of image). Some Local Adjustments using the Details and Burn Brushes were used on the sculpture itself. Finally a vignette was added and centered on the children to make them appear spotlighted. Be sure to create a preset if you like the results.
If you get a chance, try to go to one of the two places showing the sculptures discussed. They are very interesting pieces. I did not get an image of Poetry and Music so that is on my list for my next trip to the National Gallery of Art!…..Digital Lady Syd
Sunny Preset for Topaz Black and White Effects
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This image of Camachee Cove Yacht Harbor in St. Augustine, Florida, was adjusted using Topaz Black and White Effects. I wrote a longer blog on trying to achieve this same effect using other plug-ins on my Fun Photoshop Blog “Same Image – Different Plug-ins.” Hover over the image to see original. It took literally two minute to get this effect. There was just one further adjustment made in Photoshop which, unfortunately when adding most plug-ins, there is some noise created. I took the image back into Adobe Camera Raw (see my blog “Edit Layers with ACR Script“) which I prefer over the other Noise Reduction plug-ins. The Luminance was set to +75, Detail +37 and Contrast +48. I was really pleased with the color and how it looks on the water and the sky, especially around the horizon line. I wanted to share with you how I created this sunny preset in Topaz’s Black and White Effects.
First the Van Dyke Brown Collection was used with the Wenge Dynamic Preset. This gives the correct settings in the Conversion Section on Basic Exposure sliders and the Adaptive Exposure sliders.
In the Finishing Touches Section, Film Grain should be unchecked unless you want some graininess. This image does not use it. Next the Quad Tones needed to be changed for this effect. By clicking on each of the color swatches, the following colors can be changed: Color 1 Region set to R1G1B12 and slider to 9.60; Color 2 Region set to R63 G78 B85 and slider to 95.97; Color 3 Region set to R216G211B129 and slider to 141.2; and Color4 Region set to R255G254B255 and slider set to 237.0. This is the key to the effect and gives the preset the sunny feel.
The Edge Exposure area is optional but the above image used these settings. The Edge Exposure settings should be set to: Top – Edge Size o.26, Edge Exposure (-0.22), and Edge Transition 0.32; Bottom – Edge Size 0.19, Edge Exposure (-0.43), and Edge Transition 0.27; Right and Left set to their defaults since there is no edge on the sides – Edge Size 0.20, Edge Exposure 0.00, and Edge Transition 0.20.
Finally check Transparency and set the Overall Transparency slider to 1.00.
It is important to create a preset now either in My Collection or the individual Effects Presets so it can be reused again and again.
Hope this will give you a chance to try out a new Quad Tone look (see Tidbits Blog “Quad Tones in Topaz Black and White Effects Plug-in“) – I plan on making some more presets in this program soon. Try out this look and see if you like it as much as I do…..Digital Lady Syd
Quad Tones in Topaz Black and White Effects Plug-in
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This image is of an old cannon on the grounds of the Historic Fairfax County Courthouse in Virginia. I do love NIK’s new Color Efex Pro 4 plug-in, but I keep going back to Topaz’s new Black and White Effects plug-in. (Hover over image to see original shot.)
The Topaz Black and White Effects preset I created gives a really nice sunny vintage feel and I think it is great for that historic look. To create the preset, select the Van Dyke Brown Collection Effect and Chamoisee Cyan preset as a starting point. The trick to getting this look is to set up in Finishing Touches the Quad Tones using these settings: Color 1 Region (R1 G1 B12) – 15.08; Color 2 Region (R63 G78 B85) – 143.9; Color 3 Region (R216 G211 B129) – 227.5; and Color 4 Region (R255 G254 B237) – 225.0. The sliders will need to be adjusted depending upon the image used. The Transparency setting was set to 1.00. For this image a small light Edge was added. Also, I was able to brush away the distortion over the back part of the left wheel using the Burn tool with a large brush and lightly clicking a few times, then using a smaller brush to run over the details just a bit. It totally disappeared! These brushes work wonders! To bring out the cannon a little more, back in Photoshop the image was sharpened using a High Pass Filter set to 9.1 Radius, a black mask was added to cover up the effect, and then by painting just the cannon on the mask, only it becomes sharp.
I really like the Quad Tone effect in this plug-in. Topaz has created a very nice video on how to use this section called “Quick Tip – Quad Toning Explored.” This may be the key to why it is hard to reproduce this look in other plug-ins.
For more information on this plug-in, see these related posts:
Fun Photoshop Blog: “Topaz B&W Effects Plug-In-A Real Winner!”
Tidbits Blog: “Topaz B&W Effects vs. Nik’s Silver Efex Pro”
Tidbits Blog: “Just Another Topaz Black and White Effect Example“
Get Rid of Those Power Lines Fast – with Paths and Spot Healing Tool!
Since I like to shoot old buildings, and there always seems to be a never-ending batch of power lines in these images, here is the technique that works best to clean up those lines.This tip is from Bryan Hughes, Product Manager for Adobe Photoshop, called simply “Remove Power Lines.” Below is an example of an image of the State Capital Building in Jackson, Mississippi, that had some real problems with lines. Hover over the image to see the original power-lined shot. It was processed with Topaz’s Black and White Effects plug-in.
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Most of the lines were removed following the steps below:
- Select the Pen Tool (P).
- Go to the Path Panel and click along the wire setting anchor points as you go.
- Next select the Spot Healing Brush (J) – in Options Bar be sure that the Content Aware box is checked and that the size of the brush is roughly twice the size of the wire you want to remove.
- In the Paths Panel, click the “Stroke Path with Brush” icon at bottom of panel (2nd over from left).
- Once the wire disappears, delete the Work Path by clicking on the Trash Can. If the wire did not completely disappear, just paint with the Spot Healing brush over the exposed area to clean up.
This technique works great as long as you are not in front of areas like the building columns or details. I found in this case, still use the Spot Healing Brush on these areas – but just click once and move along. It will do an amazing job in most cases. Note: To get rid of the path line on the image, open Path Panel and press DEL to remove the work path.
In the image above, the only areas that caused a problem was where one line went through the large ornamental balls – these had to be copied onto another layer, transformed, and layer masked to line up. Otherwise, no major problems and very fast even though there were lots of power lines. The traffic light was cloned out, and street light was removed using Edit -> Fill – Content-Aware after selecting with Lasso Tool. The new Topaz Black and White Effects was used to create the color effect on this image.
Try using this tip – it is really fast and great to have in your arsenal of quick tricks…..Digital Lady Syd
Just a Tree!
Sometimes I find that combining recent effects I have learned in Photoshop can create something that is quite unique. Obviously not all things I create are that great, but even so, I am learning something about how all the different elements go together. This image is an example of this type of creativity. Just had fun putting together some of my favorite brushes and filters and came up with this tree.
The tree is one of Mels Winter Tree Brushes placed on a layer above the background, and on the next layer foliage was added using several of Gorguss Grunge Again (click on upper right – Photoshop Brushes) brushes. Both brush sets are favorites of mine. Two of ShadowHouse Creation Textures (5 Assorted Textures Set and Vintage Oil Painting Texture Set-2) were stacked underneath. A composite layer was made (CTRL+SHIFT+ALT+E) and opened up in Topaz B&W Effects plug-in (see sidebar for link) – a Cyanotype Collection preset was used to get the bluish appearance, and the Transparency was lowered so some of the colors showed through. Back in Photoshop a new layer was created on top and using Texturemate’s Rough Sand Texture brush 9 in blue on top at 70% opacity. That was it. I really like the effect.
It can really be a lot of fun to mix and match – give it a try!…..Digital Lady Syd
Just Another Topaz Black & White Effect Example
This image was taken at Edinburgh Castle in Scotland. I just keep playing around and finding new looks for images. The cannon and opening were selected and placed on their own layer, then a white layer was added below it, and a texture from ShadowHouse Creations Another Mixed Bag Texture Set (some really beautiful free textures on this site) was added. On several layers above and below using different colors from the image, various brush marks were added using Gorjuss Grunge Again brushes (unfortunately these are no long available), some really nice brushes to add a bit of color and detail. Create a composite and duplicate this layer. Next use the Topaz Black and White plug-in with the Opalotype Collection Effect and Yellow Lilac preset as a start. A lot of changes were made in the Conversion and Finishing Touches panels and Detail and Burn brushes were used to emphasize the stone. (See my Fun Photoshop Blog “Topaz B&W Effects Plug-in – a Real Winner!) and Tidbits Blog “Topaz B&W Effects vs. Nik’s Silver Efex Pro” for more information on this plug-in.) The plug-in layer was set to 52% opacity back in Photoshop. A Curves Adjustment Layer was added and some sharpening applied. It was a really fun image to do.
Hope you got an idea for creating a little different effect with this plug-in…..Digital Lady Syd
