This Carrara marble artwork is found in the East Sculpture Hall of the National Gallery of Art in Washington, DC, and was sculpted in 1774-1778 in Paris by Clodion. Metal Chris, a great local DC concert photographer and founder of the DC Heavy Metal website, took all these these images for me recently as I missed it on my last trip to the National Gallery. What I love about this sculpture is that by viewing it from the different angles, which Chris did, you get a very different expression and feel of the art. Poetry definitely takes on a very different look depending on the view.
The Gallery’s site says “Clodion prepared a terracotta model for Poetry and Music, which is in the National Gallery and frequently on view in the ground-floor sculpture galleries. It provides a rare chance to compare an artist’s model with the final version in stone. In this case, Clodion modified the figure of poetry, “correcting” it to adhere to traditional representations: the terracotta figure had rested his head in his hand, but here he holds a writing stylus.” I will try to find this on my next trip to the Gallery – I think it would be fun to see. This is one of four sculptures that were meant to bring to life the abstract concepts of the arts and sciences. I did a previous blog called The Art Corner: Painting and Sculpture by Tassaert if you are interested in more information on both sculpture pieces. The last two pieces, Geometry and Architecture by Jean-Jacques Caffieri created in 1776 and Astronomy and Geography by Felix Lecomte created in 1778 are located at the National Trust, Waddesdon Manor, Buckinghamshire, England.
The first image was processed using Russell Brown’s Paper Texture Panel (see Russell Brown’s Paper Texture Panel Updated! blog to download) and Flypaper Textures Creme Anglais Taster set to Overlay Blend Mode at 93% Opacity and Touchstone Taster set to Overlay Blend Mode at 100% Opacity. Layer masks were added to clean up the faces and shadows a little and a large shadow on the wall was removed as it was very distracting. What really made this image so beautiful was OnOne PhotoFrame (see sidebar for website link) Maivre Background set to Overlay Blend Mode at 80% Opacity while still in the plug-in. It was actually just like adding another layer of texture. Once back in Photoshop, a layer mask was added to softly clear the face area of the texture. The left image of Poetry was converted to a black and white using Nik’s Silver Efex Pro 2 starting with the High Contrast preset. A little localized sharpening was done to the his face using the LAB sharpening method (see my Fun Photoshop blog Unsharp Mask Filter in LAB Mode) and some noise was removed from his body using Imagenomics Noiseware that I am trying out. The right image was hardly touched (only slight noise removal due to the dark lighting effect) – just a beautiful image and very much how the sculpture looks at the Gallery.
If you get a chance to go to this wonderful Art Gallery in DC, you will should try to see one of these beautiful sculptures…..Digital Lady Syd