This looks like so much fun – wish I could try it! This boy is riding in one of 4 giant floating bubbles at the 2014 Native American Festival in Ormond Beach, Florida, this past weekend. The kids don’t get wet andhave a great time trying to stand up and run. Very little processing was done on this image, which is unbelievable since he is behind a thick piece of soft vinyl. In Lightroom, after some basic adjustments and cropping, Dave Delnea’s Forest Walks Look 3 preset was applied – but I used The Fader to reduce the preset effect to just 61%. Really brought out just the right amount of greens and blues. In Photoshop Topaz (see sidebar for website link) DeNoise 5 was set to an Overall Setting of 0.19. Some clean up was done where the water looked funny on his face. Nik Viveza 2 was used to slightly tone down the bright specular light in the upper left side of the image and to even out the face color. That was it. I like the natural texture the vinyl created. What a cool amusement – looks like he is really is floating!…..Digital Lady Syd
I have finally found someone who can relate to me exactly how to get a beautiful painterly look in Photoshop. This image was made following one of the many videos that Melissa Gallo at Painted Textures created for her Painting with Photoshop Workshop. After painting the trees, one of the provided textures for the workshop, Sea Storm Canvas, was set to Pin Light at 73% opacity and my SJ Snow1 Overlay was added. Now, I attempted to apply a little Digital Lady Syd on the image by taking a stamped layers (CTRL+ALT+SHIFT+E) into Topaz (see sidebar for website link) ReStyle and applied the Peppermint Gray preset to adjust the colors a little. (ReStyle settings: Set ReStyle section blend mode to Color; Texture Strength to 1.00; Basic section blend mode to Multiply; Color Temp -1.00, Tint 0.38, and White -0.56; Tone Black Level -1.00, Midtones 0.42, and White Level -0.56; and Detail Structure 0.97 and Sharpness -0.30.) Then added my watercolor border with color sampled from the image in a clipped Color Fill Adjustment Layer. Last step was to take the whole image into the Camera Raw Filter and add the radial filter for some saturation and clarity to draw the eye to the center of the image. If you are interested in learning painting techniques like this, look into getting her workshop. These are some of the best Photoshop videos I have followed. This is nothing but fun! — and that is what it is all about!…..Digital Lady Syd
This little guy that was standing on the side in Dr. Seuss Landing at Universal Studios Islands of Adventure has got to rank right up there for cuteness! I loved the topiaries in this area – Universal did a great job on them. Very little processing was done to this guy. In Lightroom just the Basic slider adjustments and cropping. Used an Adjustment Brush to even out some of the shadows on the lion’s body and Dave Delnea’s Backlight Horizontal Right preset was applied to even out the light a little. In Photoshop just a little basic clean up in the top corner where a branch was showing. Next the High Pass filter set to 6 and Overlay Blend Mode was used to sharpen just the face and edges of his red mane by adding a black layer mask to the filter and painting back those areas. A painted frame was added as a border and an Adjustment Layer to add just a little overall contrast. That was it! Just love this shot!…..Digital Lady Syd
Finally got to see Universal Studios Islands of Adventure section in Orlando, Florida. This image of a Fire Brigade bicycle was one of the first things I saw – very unusual item so had to take a picture. Had to get a little creative though since that is what I do! This time Trey Radcliff’s Biting Icecream preset was applied in Lightroom along with some basic slider adjustments. In Photoshop Topaz (see sidebar for website link) Adjust 5’s Photo Pop preset was added next. Then just a bit of sharpening using Topaz Detail 3 was. Probably did not need it since next I went into Alien Skin’s Snap Art 4 and added the Factory Default settings from Snap Art 3 (which I manually created) and added a little more saturation – no mask layers. Back in Photoshop Topaz ReStyle was opened up and the bright oranges and reds were swapped out for blues and darker reds. I just liked theses colors better so that is what you see. Last step added a slight dark vignette around image using a Curves Adjustment Layer. This was such a nice colorful picture and the nice thing – no people around! Anyway, lots of fun to process using my favorite plug-ins…..Digital Lady Syd
Just another example of what Nik’s Analog Efex Pro can do. Used Topaz (see sidebar for website link) ReStyle’s Shaded Subways preset (with these changes: Color Style Lum Secondary 0.07, Third -0.48, and Fourth 0.34; Texture Strength 1.00; and Sharpness 0.84.) Once again used my favorite settings for the plug-in. And that was it. I love the results – using ReStyle with Analog Efex Pro is a really nice combination. Since I am using this preset so much and find it really easy to adjust, I thought I would share the settings with anyone that would like to get a similar effect. Just tune out if you do not want them.
The preset was named SJ Favorite preset. The settings for each section used in the image above are as follows: Basic Adjustments – Detail Extraction 65%, Brightness 14%, Contrast -36%, and Saturation 13; Light Leaks – Strength slider 50%, set to Soft, and selected third row over and fifth row down (a reddish triangle coming from the left and the center point in the middle lower left (this can be adjusted depending on your image); Lens Vignette – Amount 78%, slider moved all the way right under Rectangle, and Size 44% with the center point in the middle of the image; Film Type – Subtle selected using the third row over and fourth row down film, Neutral to Faded slider placed just a little to right of middle, Strength 70%, Grain per pixel 400, and Soft to Hard slider in the middle; Frames – selected White in drop-down and used the first column fourth row down frame – I believe I clicked the Vary button a couple times here but not much difference occurred; and Levels & Curves – this is a little tricky but it makes all the difference in the preset. This is a 16 X 16 grid, so set the points where noted. For the Luminosity Channel, create a curve that starts with a point at 0,0, then one at 8.5, 8, and the last one goes up to the top with a small straight line to the top right corner so use this point 14, 16 – you may want to adjust this the way you want but it really pops my image by adjusting this curve – all other curve lines are left alone. You can go to the Camera Kit and add in other effects to get a little different look – I do this all the time.
The second image in my Photoshop With Corel Painter for Texture blog shows this same preset. Hope you will give it a try – Nik’s Analog Efex Pro is really a lot of fun!…..Digital Lady Syd
Well everyone probably knows by now that I love this little Photoshop plug-in from Topaz (see sidebar for website link). The original image was a low resolution Shutterstock stock photo (I could not find it on the website anymore) from Advanced Photoshop Magazine No. 25 CD from many years ago (not one to use stock photos but I loved this pitcher and flowers image). I actually did quite a bit to the original image – expanded it using Content-Aware Scale so there was more space on the left side, added my little tree I created in Corel Painter (it is getting a lot of use this season) and set it to Darken so the white background did not show up, added Shadowhouse Creations Tree Brushes Set #2 deer, and added Kim Klassen‘s beautiful Maybe and Peace Textures both set to Soft Light. My free SJ Snow 2 Overlay slight blur was applied at 79% opacity to just the pitcher to give it a ceramic dotted look. Next Kim’s Overlay 1 brush was used so it could be seen only in the window panes by using a layer mask. The font was Tramyad set to 40% layer opacity with an Inner Glow layer style added. Next a Levels Adjustment Layer was added to bring back contrast to the image and a High Pass Filter was used to add localized sharpening to the flowers only in a black layer mask. That was when the upper left green image was saved. The next three images all used different presets in Topaz ReStyle with some minor changes. I would list the presets, but two of them are from presets I used on other images. The frame texture is one I created in Corel Painter and added a Hue/Sat Adjustment Layer to it for the soft tan color. I love all four image effects! This is the biggest problem I have with ReStyle! Decisions, decisions! If you have not tried out this wonderful plug-in, download the trial and see what you think! Lots of fun!…..Digital Lady Syd
This is a rather crazy image of a doll in a lion outfit that I decided to do some processing on. The RAW image had a lot of window reflection, but for some reason I just liked the way the sun lit up the doll and hair on the right side. I do not even mind the white blown out spectral spots – it sort of added to the wintry old feel. In the original file had a lot of spectral highlights that looked like snow. Alien Skin Snap Art 4 was applied in Photoshop using the Impasto Detailed preset and two Detail Masks to bring in the facial features. Then I added my free SJ Snow2 slight blur overlay set to 34% layer opacity. A Solid Color Fill Adjustment Layer was clipped (ALT+click between layers) to the overlay to give a little light peach color to the snow. Nik Analog Efex Pro was applied for a little vintage feel. The last step was to add a Curves Adjustment Layer to add contrast to the image. That was it – for some reason I really like this image!…..Digital Lady Syd
Got inspired by a short tutorial called Dustin Abbott’s Autumn Abstract with Snap Art 4 on Alien Skin’s website where he created this really interesting abstract painting. The image above is of a bamboo forest on the Big Island in Hawaii. I wanted a little less abstraction so some of the bamboo could be seen but the beautiful Hawaiian forest colors were the main interest. Therefore, I only used a Motion Blur Distance of 594 pixels. Next in Snap Art 4 Dustin Abbott’s Autumn Abstract preset (he graciously lets you download the preset in the tutorial link above) was applied. Back in Photoshop a layer mask was added where a few of the trees were painted back softly just to exaggerate the foreground tree shapes. Next Topaz ReStyle (see sidebar for website link) plug-in was added. (Started with Olivine Pastures preset to keep the Hawaiian green and pink colors intact. Color Style Hue Third -0.14, Sat Primary -0.28, Third 0.20, and Fifth -0.17, and Lum Third 0.63 and Fifth 0.59; Texture Strength 1.00; Basic Opacity 62%, Blend Mode Screen, Color Tint 0.16 and Sat 0.20; and Detail Structure 0.31.) The last step involved adding another of my favorite plug-ins, Nik Analog Efex Pro. (Used these filter settings: Basic Adjustments with Sat at 24%; Dirt & Scratches 82% using the last Organic thumbnail; Photo Plate Corroded – 2nd down 2nd over – at 20% Strength; and Levels & Curves with RGB and Luminosity Curves pulled just a little down and over at 81% Strength.) I think the image depicts exactly what I wanted to express – mainly emphasizing the gorgeous colors and the soft vertical feel of the forest. Give this technique a try and see what you can do……Digital Lady Syd
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Digital Lady Syd Reviews Alien Skin Snap Art 4