This is just a another image I created using mainly Aaron Blaise’s Foliage and Water brushes in Photoshop. In Painter some of the snow effects were created using Gel’s 2009 Holiday brushes and Fay Sirkis’ blender brushes. The Impasto sky was created using on one of Melissa Gallo’s brushes. In Photoshop three snow layers were added and Shadowhouse Creations Assorted Brush set tree brush 4 for background effect. As you can see, this is made up of a lot of different brushes and a little of my own painting. Not sure why I went wintry today, but it was a lot of fun to do…..Digital Lady Syd.
This is just a short quick blog to explain the above image. I did a Bob Ross type image using Skip Allen‘s wonderful Working with Very Wet Watercolor Variant Videos as a guide. I had never used watercolor brushes that run like traditional paints – they actually make your computer really “chug-a-long,” but Skip explains how to get around those hurdles. The above pretty much followed his videos, except I switched over to Photoshop to add the textures. I am much more comfortable using PS for this part of the process. The textures used were Frenchkiss Collections (see sidebar for website link) Artiste Autumn Fauve set to Hard Light at 65% layer opacity for the adding in the nice yellow and brown tones, and Painted Textures Olive Canvas (from one of Melissa’s workshops) set to Hard Light at 100% layer opacity which is basically a pretty soft plain greenish texture. A Curves Adjustment Layer was used to add some contrast back into the image. On a New Layer, Kyle’s Real Watercolor Big Rough Textured mod brush was used to darken down the left side of the mountain a little more. It was set to Soft Light blend mode. Just wanted you to see that you can add in a few more strokes in Photoshop to fill out areas that did not stroke correctly in Painter. That was it. Apparently people add chops to this, but I do not know how to do this yet. I would recommend you check out Skip’s tutorials and free brushes if you get a chance…..Digital Lady Syd
Have not painted in a while so decided to give it a go. I wanted to paint a Cherry Tree since I lived in the Washington, DC area for many years and miss seeing them this time of year. The original image was created in Corel Painter 2015 on just the Canvas and using 9 different brushes on a Plaster Paper. This image was brought into Photoshop where a Clean Up layer was created. Three other layers using some of Aaron Blaise Foliage Brushes were added to soften some of the sharp edges mainly around the water and on the plants. A Motion Blur set to 4 was used to soften the graphic look os his brushes. Nik Viveza 2 was used to reinforce the focal area in the tree and a Level Adjustment Layer was added to make sure the contrast was correct. That was it! It was a lot of fun to get back to painting, but I still like to go between the programs……Digital Lady Syd
So how do you create this tree effect? About all I can say is by following Painter for Photographers videos from Melissa Gallo, a Corel Painter master who really knows how to paint. She supplies the brushes and and papers to get this result. It was a lot of fun to create this little image from scratch……Digital Lady Syd
Just went back and listenedd to Karen Bonaker’s wonderful Corel Webinar called Corel Painter Mixed Media Painting and thought I’d try some of her tips. Many of the steps and brushes used in her examples were used along with several brushes created by following Jason Moranto’s Brush Engine Essentials videos offered at Karen’s Digital Art Academy – this is a great way to learn Painter! Topaz (see sidebar for website link) ReStyle’s Desert Dust preset set to Soft Light blend mode was applied and set to 50% layer opacity. Nik Viveza 2 to draw out the focal point a little bit. Need to try this one if you like a watercolor look. Creating this image was totally fun!…..Digital Lady Syd
Just used my red hibiscus object image again to try out some texture effects with the background. I really liked the results. The flower was brought in and it was duplicated. Topaz (see sidebar for website link) ReStyle’s Cream and Plum preset was applied to the duplicated layer and set to Darken blend mode at 66% layer opacity. A texture that was made in Corel Painter using the Coarse Smear Blender Jitter brush (a FB friend used this brush quite effectively on an image) in a brownish beige color was added underneath the flower. It was also duplicated, Free Transformed (CTRL+T) where it was reduced and flipped horizontally, and lined up under the flower. A Levels Adjustment Layer and a Hue/Saturation Adjustment Layer were clipped (ALT+click between the layers to clip) to the top texture layer to get the pinkish color. The last texture added just below the flower was made in Corel Painter using the Gravity Bristle Particle Brush (learned how to do this at the end of Commercial Packaging Illustration with Michael Bast Corel video where he shows the technique – I really liked it! Saved it as a PSD to open in Photoshop as a texture.) It was set to Multiply blend mode and an olive green Solid Color Adjustment Layer was clipped to this texture to make it a soft olive green. A stamped version was created on top and Blend If sliders applied before some clean up work was done. A final Levels Adjustment Layer was used to get the effect. Loved creating the textures for this!…..Digital Lady Syd
This beautiful Chinese Hibiscus bloom was painted in Corel Painter using one of their new particle brushes and following the short video called Painter 2015 Particle Brush Painting Featuring Karen Bonaker. The image started with auto-painting using the Oils category Particle Spring Oil Mop brush variant. So much fun. Then brought it back into Photoshop to apply the textures, although it could have been done the same way the video showed in Painter. The flower was selected by going to Select -> Color Range and choosing white. Then added a layer mask to the painted canvas layer so the flower is white and the background is black in the mask. Since I wanted the edging to be yellow around the flower, the Layer Style was opened and the B Channel was unchecked. Also the Blend If This Layer black tab was split (ALT+drag to split tab) and set to 133/158. Two textures from French Kiss (see sidebar for website link) were placed underneath: Colorwash Juin set to Normal at 100% Layer Opacity and Solstice Well Spring set to Multiply at 100% layer opacity. The Layer Style was opened up for the last texture and the Blend If This Layer white tab was split and set to 221/255 and Underlying White tab split to 195/226. The original Flower layer was placed on top with a black layer mask applied. Just the leaf veins in the front leaf and a few other details were lightly painted back in with white in the mask. A Curves Adjustment Layer was added to bring back some contrast. Last step was using Nik Viveza 2 to really add some focus to the center leaf. I really love how the particle brush created this rather interesting effect around the flower……Digital Lady Syd
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Happy Holidays to all my blog buddies! I so enjoy the people I have made friends with on the Internet and through blogging. I hope everyone is having a great time and is totally enjoying this time of year.
Just a few for those who wonder – how did I make this card? Well, this all started in Photoshop where I began with the cool Ink 3 png file that is in the Christmas Poster Freebies from Design Cuts (by Vintage Design Company). It was free transformed and flipped. A Solid Color Fill Layer using a brownish-beige color was clipped (ALT+click between the layers to clip) to the Ink 3 layer. The text was added. Then this file was taken into Corel Painter where the wonderful Karen Bonaker‘s Christmas brushes were used. The deer were added and the trees were added on separate layers. Then the file was brought back into Photoshop where a layer mask on the text layer was used to make the deer look like they are walking through the text. An Inner Shadow Layer Style was added to the tree layer (Distance 17, Choke 0, Size 17). On the deer layer a Stroke set to 5 pixels, inside, normal blend mode, and a light beige color was added. The Text used an Outer Glow set to the default yellow, but Size 17. The last step was my free Snow1-Overlay set to 43% layer opacity. Basically that was it. I so enjoy making cards!…..Digital Lady Syd
Really enjoying creating holiday items this year. This flower was painted in Corel Painter. Then brought into Photoshop where Painted Textures Winter Storm texture was added and set to Saturation blend mode. I am not sure I have ever used this one before, but by setting the Blend If Underlying Layer split black tab to 48/114 (ALT+click on tab and drag), some of the color came back – the blues and oranges mainly. A Selective Color Adjustment Layer was added. Next Nik Viveza 2 was used to pop the center where my focal point and reduce the background which pulls the eye a lot. Some clean up was done and my free Snow1-Overlay was applied and set to 14% layer opacity. Next my Merry Christmas PNG Overlay-01 (in same download link as above) was added. A Pattern Fill Adjustment Layer was clipped to the PNG layer (ALT+click between the layers to clip) and set to a beige colored pattern. Then in the layer style of the PNG layer, Bevel & Emboss effect was checked; an Inner Shadow was set to Blend Mode Normal and a deep gold color, and an Outer Glow set to Blend Mode Normal, Opacity 63%, black color, Spread 4 and Size 21 was set. I had to fiddle around with these settings to get a look I liked. But that was it. Have a Happy Holiday Season!…..Digital Lady Syd
I have not done a Digital Lady Syd Rules (okay it s not Photoshop but the concept fits when doing Photoshop also) in a while. This image is just of some pears I sketched and painted in Corel Painter – I was informed that this is something first graders do but it was fun to relearn how to draw pears. I followed a tutorial posted at Peachpit Press by Corel Master Cher Threinen-Pendarvis called Blending and Feathering with Pastels in Painter-2015 – and once again I feel a bit like I was doing a Bob Ross painting. On the other hand, I learned a couple things while doing her tutorial: One is that I can sketch a little bit, and two is that I really like pastel brushes! So this was definitely worth my time to try. I finished up by using one of Melissa Gallo’s beautiful textures called August Copper, and I could not have done this tutorial justice if I had not taken her workshop and studio course on Painter. This was so much fun and I got a couple new brushes to play with at the same time!…..Digital Lady Syd
Not sure where I got this stock photo image, but thought I would use this one while learning to paint with Corel Painter and Painted Textures wonderful videos. I can see it takes a lot of practice to get good at this. Not too much to this one – just painted on the Canvas and used the Clone Source Panel to do the underpainting. Used several of Melissa’s different brushes and finished up by applying Topaz (see sidebar for website link) ReStyle. The Cold Frosty Day preset was used. Back in Photoshop her Impasto Texture 2 texture was applied and set to Overlay blend mode at 68% layer opacity. That was about it. I am really getting into the beautiful paint effects Painter has. Until I get creative again…..Digital Lady Syd
I found this image called Ballerina by Equador on DeviantArt and thought I would practice painting in Corel Painter using it. The original image is very beautiful so it is hard to top it. Just followed several of the videos from Melissa Gallo’s Painted Texture’s Painter for Photographers Workshop. In Photoshop applied her Garden Canvas texture set to Overlay blend mode at 74% layer opacity. Since I did not want the actual texture on the painting, a Gaussian Blur was applied (as a Smart Object) to the texture and set to Radius of 6.1 – just enough to keep the texture color tones but blur the texture effect. Since it was a Smart Object, the amount could be adjusted to just the right amount after changing the blend mode. That is all that was done. I am loving this type of painting!…..Digital Lady Syd
This image is my first Painter image of a person – my very pretty daughter-in-law – that I have tried to make it look realistic without looking too much like a photo. Not sure I completely succeeded, but it is fun to paint people for a change. In Painter Topaz (see sidebar for website link) Restyle’s Pale Salmon Pink preset was applied. Back in Photoshop, I did some clean up layers. Two textures were applied: Painted Textures June Party set to Hue blend mode at 80% layer opacity to give the hair that sort of “with-it” look that is popular right now, and French Kiss (see sidebar for website link) Morning Dew set to Multiply at 62% layer opacity to add to the background that was painted in Painter. Finally a Nik Viveza 2 layer was created to emphasize the face a little more….Digital Lady Syd
This is another image from Free Images that I downloaded and painted in Corel Painter. After painting some in Painter, the Modern Scheme was applied from the Underpainting Panel that really popped the colors. Painted Textures May Garden texture was added to the image and set to Color blend mode at 93% layer opacity. The Equalize plug-in was also added before taking the image into Photoshop. There Nik Viveza 2 was opened and the standing man was highlighted slightly. That is all that was done. I love the final soft painterly look of the image……Digital Lady Syd
Just another Corel Painter image created following Melissa Gallo’s terrific Painter for Photographers instructions. Not exactly like Melissa’s beautiful images, but I think I am starting to get a style. Since I have not been to Venice in a long time, a free image from Free Images (used to be Stock.Xchng and image is linked) was selected to paint. The original colors were totally different to what is shown, but that is half the fun of painting! While in Painter I actually used Topaz (see sidebar for website link) ReStyle’s Cool and Clear preset with a few changes to get a different color scheme before painting the image. I will say that there were 13 iterative saves before I got to this final image. I am finding the Iterative saves are actually handy to have since I needed to go back to one due to some painting mistakes. The Painter image was saved as a psd file and taken into Photoshop where another Topaz ReStyle preset – my favorite Cream and Plum (you can really see the tones in this image) – was used along with Nik Viveza 2 to emphasize the boat a little more to finish up. Anyway, totally fun but it did take a little time to get it right.
Check out my Fun Photoshop blog this weekend for the same image but done totally with Topaz plug-ins in Photoshop…..Digital Lady Syd
Just a quick post on this painting. The original photo was taken while actually leaving the channel at the small town of Marsh Harbour in The Bahamas. Still working on learning to use Corel Painter – Melissa Gallo’s Painter for Photographers Workshop is really helping me understand how to use this program. Lots to learn yet – this is really so much fun! I did do the final crop in Photoshop and used Viveza 2 to emphasize the focal point. Also a Curves Adjustment Layer and signature layers was added. Still not comfortable staying in Painter for this……Digital Lady Syd
I will be honest and say this is a totally “Bob Ross” Joy of Painting type of image I created in Corel Painter 2015. This was done by following the painting instruction of Corel Master Melissa Gallo’s videos in her Painter for Photographers Workshop. Am really enjoying her artistic teachings and brushes. Also in Photoshop used Nik Viveza 2 to enhance parts of this image to get the color saturation I liked. That was it! Fun! Fun! Fun!……Digital Lady Syd
Just some mums taken at Orlando Airport recently and painted in the new Corel Painter 2015 update. This image was cloned in Painter using painted following the video Painter Cloning tools with professional photographer and digital painter Melissa Gallo. All the brushes she used in this short video along with one from Fay Sirkis called Background Edge Bubbles were used to paint it. Then in Photoshop Nik’s Viveza 2 was used to push the eye toward the lower left flower. A Levels Adjustment Layer was added and that was it. This was totally fun and pretty quick! Oh yes, Melissa just released her new Painter for Photographers Workshop – hope to show everyone some new paintings soon!…..Digital Lady Syd
This image was painted from a shot I took while in Scotland several years ago – just can’t get enough of this beautiful country! This is where I am at with my painting journey. The basic image was painted in Corel Painter with some brushes I created after reading an older book by David Cole called Complete Digital Painting Techniques. Even though it uses an older software edition, I was able to follow his workflow for creating an oil painting and to create the brushes he was using in his example. I still had to supplement with a couple oil brushes from Fay Sirtis, a Corel Master who makes wonderful Painter and Photoshop brushes. After completing what I could in Painter, the image was brought into Photoshop and a Solid Fill Layer was added under the painted layer to add just a little different color in the areas that were not covered with paint, just to give a little interest. Come clean up was done to smooth out some rough edges, and a couple Radial Filters were applied using the Camera Raw filter. That was it and is where I am with my Painter journey, and oh yes, it was lots of fun to do!…..Digital Lady Syd
Just having some fun with this image. A while back I did a blog on creative work called How to Create an Image from Nothing. This image was created in a very similar. This image totally combined painting in both Photoshop and Painter. I am finding I like some of the brushes in Painter better than those in Photoshop, but I am better at blending my images in Photoshop. Therefore I keep bringing in things created in Painter into Photoshop and put it all together. Not sure I will ever be able to reconcile the two programs, but at least I am getting my own technique. This image background was French Kiss Studio 3 White Wash – my favorite white texture. Two of 2 Lil’ Owls Studios (see sidebar for website link) Textures were used, the border is from ViVa Penmanship Mask 3, and the music from Kim Klassen Music and Script brushes from her Test Kitchen. Topaz (see sidebar for website link) ReStyle was used to create the beautiful final colors in the image. My free SJ Clouds 1 and 8 are also in this image. The chicken is a Painter brush by Karen Sperling called birdies. Rather crazy effect but lots of fun to do!…..Digital Lady Syd
Happy New Year! Hope you all have some New Year’s Resolutions for next year, or at least one like me. I do not do well with this sort of thing so I try to keep myself focused on maybe just one or two goals for each year. This year my major digital goal is to learn Corel Painter better and try to understand the program so I can pop in and out of it like I do Photoshop. Above is just a little image I created in Corel Painter and Photoshop wishing you the best of times for the coming year. It was a lot of fun to create. The path, trees, and much of the snow were all painted in Painter using several of Karen Bonaker’s various snow brushes and David Gel’s Snow Time 2009 brushes (both of them have all kinds of fabulous free brushes). Then I popped into Photoshop and created layers for each of the following image elements. The cabin, foreground trees, deer and moose were all from my favorite Shadowhouse Creations Rural Objects and Tree Brush Set 2 – I use them all the time! Kim Klassen‘s Let Go texture was set to Darker Color to get a more textured and nicer color of green for the background color. Also my free SJ Snow 2 Overlay slight blur was added at 86% layer opacity. The font is Tramyad. Once again, I hope you all have a great New Year!…..Digital Lady Syd
Recently I set a goal to learn how to use Corel Painter. These Christmas flowers were a perfect choice for me to practice some of my newly developing skills. I love the colors that the brushes created although I am not sure exactly which brushes I used, but several blending brushes were used. I have learned to keep a custom panel of my favorite brushes set up so I do not have to keep searching for them. (Not unlike setting up your own panels in Photoshop.) After I finished painting it, I wanted to show a few outlines for emphasizing certain area. The original image into Topaz (see sidebar for website link) Simplify and a sketch with black lines on a white background was created. Back in Photoshop, the white was removed using Color Range, and then the layer was moved into the Painter image. A layer mask was added and lines I did not like were removed and the layer was set to 51% opacity. A dark brown Solid Color Fill Adjustment Layer was clipped (ALT+click between the layers) to the lines layer. A Hue/Sat Adjustment Layer was added to make the flowers the perfect color of red. Some localized contrast was added by selecting a Curves Adjustment Layer and filling the layer mask with black. Just the areas where I wanted contrast was painted back, which was mainly the red flowers. I love the way Painter and Photoshop work together! Hope everyone is having a wonderful Holiday Season!…..Digital Lady Syd
Happy Holidays to everyone! Had to post my beautiful gerberas that look so Christmasy (is that a word?). This was so easy to do. Started with my flowers in Lightroom – just the basic slider changes were done. In Photoshop the first step was to add Isabelle Lafrance‘s Fairytale Winter 2 overlay (apparently this overlay is no longer available which is a shame since it is so pretty) – she makes some of the best overlays available. A layer mask was added and the flowers were gently painted back. A stamped layer (CTRL+ALT+SHIFT+E) was created on top and desaturated (CTRL+SHIFT+U). To sharpen the image the layer was changed to Overlay blend mode and the Filter -> Other -> High Pass was opened using a setting of 7, just until I started seeing a little crispness without haloing. Now the Aaron Nace trick is to add a black layer mask and just paint back where the sharpening should be applied – just the parts of the flowers closest to the viewer. On a new layer Kim Klassen’s free Mini Sampler Holiday Brush holiday 10 was applied – I love everything Kim creates – textures, brushes, videos. I added my own text layer using the Bambino font. Then I remember I had been playing around in Corel Painter and created this little fur tree that looks like it was blowing in the wind on a white canvas. Therefore I added to my image and set it to Linear Burn blend mode at 61% – loved the final look. I am still loving Painter! Hope you have a wonderful Holiday Season!…..Digital Lady Syd
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This is one of my first recent major efforts using Corel Painter – I am still trying to understand this program. Basically I painted this image using a brush I created after listening to Melissa Gallo‘s video on the Corel Painter website – her video is Reason #2 – Cloning Feature. Since Melissa is absolutely one of my favorite texture people, I was totally absorbed with what she did. This image of my miniature mums is pretty basic, but I thought it turned out nice. I created the Luscious Oil Paint brush she used and find I am it a lot on other images. Then I took the image back into Photoshop where I added Topaz (see sidebar for website link) ReStyle to really get a pop in the colors. (Here are the settings if you are interested: Sandy Butterflies preset. ReStyle Opacity 55%; Color Style Hue Fifth 0.13; Sat Primary 0.50, Secondary -0.37, Third 0.38, and Fourth 0.78; and Lum Primary 1.00, Secondary 0.30, Third -0.25, and Fifth -0.30; Texture Strength -0.66; Basic Opacity 55%; Color Temperature 0.19, Tint 0.17, and Sat 0.02; Tone Black Level 0.53, Midtones 0.14, and White Level -0.16; and Details Structure 0.25 and Sharpness 0.36.) A little clean up and a Layers Adjustment Layer was done and that was it. Painter really is a lot of fun!…..Digital Lady Syd
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